We could all use a little Paddington

The film poster depicts Paddington bear in his red hat and blue coat, eating a jelly sandwich, against a blue background of the London skyline.

By Khaleel G.

I must confess a librarian’s sin: I always mix up Paddington the bear with Corduroy (who is also a bear). Three decades after first reading these books, I only remembered a cute lil’ guy, riding up an escalator, getting into good-hearted mischief. Yet over the past few years, I’ve read amazing reviews of the two Paddington films. Critics said these are some of the best family movies ever made – high praise! But like the thousands of movies, novels, albums, memoirs, histories, and graphic novels I’ve been recommended, I filed these films away in the bursting file cabinet in my mind, labeled “To Check Out, Sometime Later.”

Well, I wish I hadn’t waited so long. These films operate not only as delightful living cartoons, but they’re optimistic, contemporary, and totally absurd in that specific UK comedy way. The director, Paul King, is most famous for having worked on The Mighty Boosh, a British comedy show from the 2000s best described as visual and narrative anarchy. Here, though, he turns what might be a humdrum kids’ book adaptation into a compelling and confoundingly fun romp. 

The premise is simple, but sorta weird, as you see it happen with real actors (and a small, talking animal).  Our protagonist bear (from “Darkest Peru”) is sent north by his auntie and ventures into London alone, with a small tag around his neck reading, “Please look after this bear. THANK YOU.” Upon arriving at Paddington station, he meets the Brown family, who take him in for the night, dubbing him “Paddington” (since they can’t pronounce his name in roars of Bearish). They hope to find a new home for him, the one promised decades ago by an explorer his aunt and uncle met, who extended his hospitality should they ever visit London. Thus, the film properly begins. 

Paddington is shown in his blue coat and red hat, riding an escalator with a small white dog with a jeweled collar.

This is when Paddington sets itself apart from its PG peers. We’re introduced to the Brown family through a Wes Anderson/Royal Tenenbaums-style montage; these carefully shot sequences detail their unique personalities. Like young Judy, who suffers from an incurable case of “embarrassment,” worried about introducing her middle school crush to her family. Or the younger Jonathan, who can’t tell his school chums that he just loves steam engines. Mrs. Brown illustrates children’s books, but can’t come up with a hero, while Mr. Brown is a work-weary insurance investigator, very dry and worried. They’re just as strange as an immigrant bear with a floppy red hat, and each Brown family member discovers and accepts this over the course of the story.

Of particular note is Hugh Bonneville, who played the regal father in Downton Abbey, as Mr. Brown, who doesn’t much like the idea of living with a bear (alluding to issues around immigration and housing, a surprisingly contemporary twist). Before long, Bonneville warms to the little scamp, as they search across London for that welcoming explorer, getting into some Monty Pythonesque escapades.

Joining him is Nicole Kidman, as a mad taxidermist intent on capturing Paddington, and boy! she really gives it her all! I haven’t seen a “serious, dramatic” actor lean so hard into being a goofy yet menacing villain in a long while – though in the second film, Hugh Grant one-ups her. He plays a washed-up actor turned thief, dressing in all sorts of costumes to steal what he needs, while performing many ridiculous accents. If you can believe it, he claims this to be his finest work. On top of that, we get delightful supporting performances by BBC regulars, like Jim Broadbent, Peter Capaldi, and Brendan Gleeson, each stealing their scenes with panache.

Hugh Grant is depicted in a blue and grey checked suit with ascot, and a blue wide-brimmed fedora, in front of a carnival-themed calliope.
Hugh Grant, depicted in Paddington 2.

I could go on and on about these films! I haven’t even mentioned the Rube Goldberg stunt scenes. Paddington makes some simple mistake, usually based on a misunderstanding of technology or culture, and sets off a chain of chaos. In one scene, he begins by trying to clean out his ears (a gross-out gag for the kids), but ends up flooding the Brown family’s bathroom to the ceiling, as he floats in the tub. It’s pure Looney Tunes stuff, but the combination of CG with real-world props makes it seem grounded in reality…a reality where people don’t think it’s strange that a bear can talk, but a reality all the same.

So, whether you have kids to entertain, have a fondness for British wackiness, or just want to see a very polite but confused bear bungle about London spreading chaos and also understanding, you must see Paddington and Paddington 2. I cannot recommend these two movies enough, as a spirit-lifting way to spend two evenings.

Paddington and Paddington 2 are available on DVD (rated PG), as well as the original Paddington adaptations for younger kids; the Paddington books are available in print; Corduroy is also available in print (if you want to get two fictional bears confused).  

Khaleel has worked at the Miller Branch since 2015, though he’s been back and forth between HCLS and high school, college, and graduate school since 2003.  

Virtual Author Visit with Fredrik Backman

The author, dressed in a dark grey button down shirt, stands with his hands in his jeans pockets. He has short brown hair, and a slight beard.

Frederik Backman discusses his newest book, Anxious People, on Thursday, September 10 at 5 pm. Signed copies of Anxious People are available for online pre-order through the Curious Iguana bookstore. This poignant comedy tells the story of a crime that never took place, a bank robber who disappears into thin air, and eight extremely anxious strangers who find they have more in common than they ever imagined.

Rich with Backman’s, “pitch-perfect dialogue and an unparalleled understanding of human nature,” according to Shelf Awareness, Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day. 

Backman is the New York Times bestelling author of A Man Called Ove, My Grandmother Asked Me to Tell You She’s Sorry, and Britt-Marie was Here, among other titles. He lives in Stockholm with his wife and two children.

A Man Called Ove is the classic story of a curmudgeon, but with a twist: he didn’t develop this attitude in old age, he’s been “a grumpy old man since he started elementary school.” As we learn more about Ove through glimpses of his past, we realize that the rule-following, the caustic comments, the meticulous planning, all ensue from a beautiful love story and Ove’s resulting losses. With dismayingly unconventional new neighbors, can he find a path forward and live up to the example of his wife, Sonja, a wonderful woman whose thoughtfulness and kind nature would welcome them with open arms? Or will he continue to be his cantankerous, resistant self? Read this delightful story to find out, if you are not already one of the millions who have loved this book full of hilarity and heart.

My Grandmother Asked Me to Tell You She’s Sorry describes a touching relationship between 7-year-old Elsa and her 77-year-old Grandmother. The two of them have a secret world, where they escape to tell stories and play make-believe (or so you think). The regular world holds many scary realities for a precocious little girl, including big dogs, bullies, impending new siblings, and cancer. Sometimes grandmothers, even the eccentric ones, know exactly what their grand-daughters need. This story rewards the reader’s patience, as all the seemingly disparate pieces slowly form a highly satisfactory, emotional resolution.

Whether you jump in with the newest book or treat yourself to some of Backman’s older titles, you will be entertained and enlightened. Register now for the online author event!

The event is cosponsored by Maryland Humanities, Frederick County Public Library, Curious Iguana, and the Weinberg Center for the Performing Arts.