Home is Where the Library Is: The Lions of Fifth Avenue by Fiona Davis

A woman dressed in a bright yellow dress walks while reading through a grand lobby with well-lit doors and windows behind her.

by Cherise T.

I have a favorite photo of my kids where my son is wearing his baseball cap backwards and my daughter is wearing a poncho as a skirt. Today, my son’s visors often still point in reverse and my daughter never misses the opportunity to transform an article of clothing into something original and extraordinary. 

Where, you ask, was this photo taken? In front of the New York Public Library, the revered Fifth Avenue building guarded by two marble lions. A library with an eight-room apartment on the mezzanine.

Having never read a novel by the popular historical fiction author Fiona Davis, I was attracted to the plotline of The Lions of Fifth Avenue, not only because of my love for libraries but because I have entertained the fantasy of enjoying unlimited access to stacks and stacks of books. Deep, dark stacks with first editions and handwritten notes by famous authors. One of my favorite books in the HCLS collection is The Gorgeous Nothings: Emily Dickinson’s Envelope Poems because I can sink into Dickinson’s creative process and believe, for phrases at a time, that I am sharing a word journey into an otherwise fathomless mind. 

Told through the dual lenses of 1993 and 1913-18, The Lions of Fifth Avenue reads both as historical fiction and mystery. The plot weaves the interconnected stories of a family with a deep multigenerational connection to the New York Public Library. In 1993, Sadie Donovan strives for an ever more significant leadership role as an NYPL librarian and curator. In 1913, Sadie’s grandmother, Laura Lyons, aspires to be a journalist in a society where women’s professional opportunities were limited. Whereas Sadie works at the NYPL, Laura actually lives there in the apartment reserved for the family of the superintendent of the NYPL, who happens to be Laura’s husband, Jack. Laura and Jack live in the apartment with their children, Henry and Pearl. Both Sadie and Laura walk up the same steps and pass the same stone lions, and they face parallel hurdles in their careers and their romantic relationships. They share devotion to family and an insatiable attraction to investigation and knowledge. And Sadie and Laura contend with the theft of treasured library materials, setting them up as witnesses and suspects. 

Although the protagonists of the novel are fictional, the framework has historical roots. At one time, NYPL superintendents resided in the library, and the first superintendent who lived in the Fifth Avenue building raised children there. True as well is the unfortunate fact that rare books have been stolen from the library over the years. Fascinated by NY’s architectural landmarks, Davis writes novels revolving around different city buildings including the Barbizon Hotel, Dakota apartments, Chelsea Holtel, and Grand Central Terminal. Her writing has a real feel for New York City, and the plot twists in The Lions of Fifth Avenue make it a page turner. Climb the stairs between the lions, settle in to live in a library for a bit, and see if you can solve a few mysteries. 

Cherise Tasker is an Adult Instructor and Research Specialist at the Central Branch. When not immersed in literary fiction, Cherise can be found singing along to musical theater soundtracks. 

Spooktacular Chapter Books for Kids

By Jessica L.

This illustrated book cover shows two Black children on bicycles, framed by white ghostly pillars and colorful strange plants. The title type is wiggly hand-drawn in a purple to orange fade.
Ghost Squad cover

Ghost Squad by Claribel A. Ortega

Claribel Ortega’s debut novel is perfect for middle grade readers who love the paranormal, magic, adventure, and a little mystery. This book celebrates Dominican culture and lore, while also providing beautiful examples of caring adults and loving relationships among families and friends.This book also explores themes of grief, loss, and found family. 

Twelve year old Lucely Luna lives a pretty supernatural life in a haunted house with her father, who gives ghost tours in St. Augustine, Florida. She is surrounded by the spirits of her loved ones who have passed. These spirits, familial fireflies, assume their ghostly human forms to comfort and care for Lucely. Something strange happens to her beloved grandmother’s spirit and Lucely and her best friend, Syd, inadvertently awaken malicious spirits in their efforts to help bring back her grandmother’s spirit. These malevolent spirits not only threaten the existence of Lucely’s fireflies, but desire to drag St. Augustine into the underworld. Lucely, Syd, Syd’s abuela Babette (a real witch), and Babette’s chonky kitty, Chunk, must work together to make everything right once more.

The book cover shows Willa in a green dress with a bear cub at her side in a spooky forest, with dark tree trunks and a purple-twilight background.
Willa of Dark Hollow cover

Willa of Dark Hollow by Robert Beatty

This is the second installment in the Willa of the Wood series by Robert Beatty. However, it’s also a standalone story, so you won’t miss anything if you haven’t read the first book. This story stresses the importance of conserving our natural world and the invaluable relationships we build with family and friends. Themes of found family and the complexity of doing what’s right abound.

Willa is among the last of an ancient Indigenous people of the Great Smoky Mountains, the Faeran. Willa is deeply connected with the forest and the animals with which she can communicate via her Faeran language. Her magical abilities also include camouflage and making trees grow instantly. She is, after all, a young teenage wood witch trained and brought up by her grandmother against the harmful norms of Faeran society. Willa feels helpless against the industrial loggers who continue to destroy the forest in the name of progress. She discovers a dark hollow with strange and beautiful creatures, but the mystery and danger grows as she learns how these dark forces are hunting humans. But are these hunters the right answer to dealing with the loggers as their handiwork endangers her own adoptive family? Can Willa find a way to save her family, the forest, and the animals she loves all by herself?

Other titles and series for kids who enjoy the paranormal and supernatural, fantasy and magic, mystery and adventure: 

Desmond Cole Ghost Patrol by Andres Miedoso
Serafina and the Black Cloak by Robert Beatty
The Witch’s Boy by Kelly Regan Barnhill
The Forgotten Girl by India Hill Brown
The Strangers by Margaret Peterson Haddix is the first in the Greystone Secrets series
My Big Fat Zombie Goldfish by Mo O’Hara
The School is Alive! by Jack Chabert is the first in the Eerie Elementary series
The Witches of Benevento by John Bemelmans Marciano
Short & Shivery: 30 Chilling Tales by Robert D. San Souci
Scary Stories to Tell in the Dark: Three Books to Chill Your Bones By Alvin Schwartz
That One Spooky Night (Graphic Novel) by Dan Bar-el
Rowley Jefferson’s Awesome Friendly Spooky Stories by Jeff Kinney
Scary Stories for Young Foxes by Christian McKay Heidicker

JP has worked for HCLS since 2006. She loves playing with her new orange tabby kittens, Mando & Momo.

Norfolk, Archaeology, and a Touch of Crime: The Ruth Galloway Mysteries

The cover of The Crossing Places shows a black owl with yellow eyes atop a black perch, against a turquoise background.

By Julie F.

London native and Brighton resident Elly Griffiths has had a phenomenal (and very busy!) career since publishing the first Ruth Galloway mystery, The Crossing Places, in 2009. The author of three children’s books, the Stephens and Mephisto historical mystery series, and the Harbinder Kaur mystery series, she is the winner of the 2020 Edgar Allan Poe award for Best Novel for the first Kaur mystery, The Stranger Diaries. She also won the Dagger in the Library award from the Crime Writers’ Association, which is a prize for a body of work by a crime writer that users of libraries particularly admire.

Although all of her work is acclaimed, the Ruth Galloway novels are especially beloved by her devoted readers. Ruth is a forensic archaeologist who teaches at the University of North Norfolk, where her best friend, Shona, is married to the head of Ruth’s department. Over the span of thirteen novels, Ruth nurtures a passion for the work that consumes her academic life but also spills over into her personal life and a second job as an adjunct to the North Norfolk police constabulary. Like many police officers, DCI Harry Nelson is haunted by the one case he couldn’t solve – that of a missing five-year-old, who was taken from her parents’ home ten years ago and is now missing, presumed dead. When bones are discovered on the beach near Ruth’s home, DCI Nelson calls on Ruth to help the police date and identify them. An Iron Age discovery ensues, another child goes missing, and Ruth finds herself pulled into a case that has ramifications both past and present. The Crossing Places is an excellent start to a series where following the quirky, familiar characters we learn to love doesn’t overshadow the intensity of the mystery; Griffiths is skilled at developing both character AND plot.

Through the course of the series, Ruth has chilling adventure after adventure: she carbon-dates bones found on the site of an old children’s home in the process of being demolished; she attends the scene of the discovery of a downed World War II plane which presumably has the skeleton of the pilot intact; and a jaunt to Italy at the request of a fellow archaeologist needing help with his own most recent discovery results in a kind of working holiday. As the books progress, her relationship with DCI Nelson, both professional and personal, goes through a series of ups and downs that has the reader rooting for both the cranky but decent old-school DCI and the strong-willed, independent archaeologist.

The cover of The Night Hawks shows a backlit red house with a triangular roof, with dark trees above and green grass in the foreground.

The most recent novel, The Night Hawks, has the titular group of treasure hunters combing the beach in North Norfolk when they come across a body – and a cache of Bronze Age weapons, which is of real interest to Ruth and a new university colleague. DCI Nelson speculates that the body, which is not from antiquity, might be that of an asylum seeker who washed overboard in a storm, but the death is quickly linked to a murder-suicide at a nearby house, Black Dog Farm. The name ties into local legend about a huge, spectral black dog who haunts the area, adding an element of the paranormal to an already complicated mystery.

Both The Crossing Places and The Night Hawks are worthy additions to a compelling series, but I can recommend every entry – I’ve read and enjoyed every story involving DCI Nelson and his team, and Ruth and her colleagues, for well over a decade now. I’m still looking forward to more suspenseful mysteries from them – in a recent interview, Elly Griffiths said she is hard at work on the fourteenth Ruth Galloway novel, The Locked Room. Fans of Louise Penny, Ann Cleeves, and other writers of character-driven police procedurals will find much to enjoy and admire about this suspenseful series.

Julie is an instructor and research specialist at HCLS Miller Branch who finds her work as co-editor of Chapter Chats very rewarding. She loves gardening, birds, books, all kinds of music, and the great outdoors.

Death in Her Hands

The cover is in green, with the semi-profile of a woman in light blue; its edges are jagged as if pixilated on a flickering TV screen. At the very bottom of her profile, where the chin would be, is a tiny human silhouette in black, facing her as if approaching.

By Ben H.

“Her name was Magda. Nobody will ever know who killed her. It wasn’t me. Here is her dead body” 

Vesta, the amazingly unstable 72-year-old narrator of Death in Her Hands, is my favorite of all of Ottessa Moshfegh’s growing roster of eccentric narrators. The main conceit of Death in Her Hands is that Vesta must solve a murder mystery. Before we know anything else about Vesta, we learn that she found a note in the woods (quoted above) and believes that she needs to solve the mystery (there is no body).  

Based solely on that note, Vesta envisions a detailed backstory for Magda and the murderer. She imagines one plausible idea after another and adds details until she’s created a truth that is incredibly real to her. A wild journey, Death in Her Hands occurs mostly inside Vesta’s head. Moshfegh immerses the reader so far into Vesta’s isolated, almost solipsistic, world that it’s jarring when Vesta interacts with anyone other than her dog Charlie. She must interact with others because her investigation takes her all around her small Northeastern town. She visits the public library, picks up a hitchhiker, visits odd neighbors, runs from wild animals, and finds clues. As she finds clues about the murder, she drops clues about her own mysterious past.

The book is a murder mystery, and Moshfegh plays with that genre and those tropes, but it is also a psychological drama. Moshfegh is an accomplished writer who gives the reader enough information to know that Vesta is not trustworthy, but not enough information to completely dismiss the murder as a figment of her imagination. At times Death in Her Hands reads more like Woolf’s The Waves or Pynchon’s The Crying of Lot 49Vesta’s thoughts carry us like waves; and her investigation doesn’t always make sense, but it always almost makes sense.

It’s easy to believe Vesta. She’s likable and very persuasive.
You almost believe that she’s solved the mystery! 
…Then you realize that you aren’t sure that there ever was a note. 

The book explores mental health, aging, abusive relationships, and isolation. Those don’t sound like cheery topics, but Vesta is a funny narrator, and she makes it an enjoyable ride: “My God, he could be crouched behind the kitchen door, and there you’d be, standing in your socked feet and bathrobe, agog at the knife glinting in the rack. Had you used it to chop onions? Had you forgotten that you’d wandered down for a midnight snack, left the knife out, et cetera? Were you still dreaming? Was I?” 

Moshfegh is a master of cultivating a dreamlike quality (she nailed it in McGlue as well). When everything seems off, it’s hard to know if anything is real. If you like dark, brilliant, insightful, inventive writing, I think you’d enjoy Death in Her Hands.

P.S. This is ostensibly a review of Death in Her Hands, but it’s really a recommendation to go read ANY Ottessa Moshfegh (she’s incredible). If you’re looking to have a weird weekend, pick up a bunch of Moshfegh from your local library and get lost in her wild world.  Also available as an eBook and an eAudiobook via Libby/OverDrive.

Ben Hamilton works at Project Literacy, Howard County Library’s adult basic education initiative, based at HCLS Central Branch. He loves reading, writing, walking, and talking (all the basics).

The Other Black Girl

Photo of Zakiya Dalila Harris, with the book cover in the bottom right hand corner. Book features a black woman in profile, with her hair up in complex braids. The "I" in "Girl" is an afro hair-pick.

By Rohini G.

This book defies genre. Is it a sly satire or a hard-hitting social commentary? Is it a sharp page-turning thriller or contemporary literature at its best? A witty and playful debut or a manual for code-switching? I could not slot it into just one category. It is the book you will be discussing with your friends and neighbors. Right, Linda?

In blue round italics, "What was she going to do? Who was she going to be?"

Zakiyah Dalila Harris’s novel debuted as a Most Anticipated Book of 2021 by Time, The Washington Post, Harper’s Bazaar, Entertainment Weekly, Marie Claire, Bustle, BuzzFeed, Parade, Goodreads, Fortune, and the BBC. Deservedly so. The Other Black Girl is an electric debut about the tension that unfurls when two young Black women meet against the starkly white backdrop of New York City book publishing.

Written with wit and incisive humor, this book delves into the modern corporate atmosphere with its microaggressions, isolation, and manipulations. Working at Wagner Books as the only black editorial assistant, Nella Rogers is very excited when one morning, she looks through a small crack in a cubicle and sees what she calls “the flash of a brown hand.” Enter Hazel-May McCall. Nella finds a confidante in Hazel and someone who finally gets it. But it doesn’t take long for Nella to realize there’s something off about Hazel, even if she can’t quite put her finger on it. And then, shortly after Hazel’s arrival, the first anonymous note arrives on Nella’s desk: “Leave Wagner Now.” Hazel? And if not Hazel, then who? Nella begins searching for answers—and in the process, finds herself at the center of a dangerous conspiracy that runs far deeper than she ever could have known 

I thoroughly enjoyed Zakiyah’s sparkling style of writing and her ability to paint office dynamics in nuanced shades of privilege and discrimination, while juggling an un-put-down-able mystery: a mystery that leaves your insides twisted at the end. In her review in The Washington Post, Naomi Jackson says, “One of the pleasures of “The Other Black Girl” is its unapologetic appeal to Black female readers. From references to 90s Black culture to ample servings of hair-related angst, conversations and plot points, Black girls will appreciate how their experiences, perspectives and quirks are centered in this novel.”

We are excited to host Zakiyah on June 23 at 7 pm. Listen to Zakiyah Harris and bring your questions. Register here

Rohini is the Adult Curriculum Specialist with HCLS. She loves literature and rainy days.

The Mystery of Mrs. Christie

The book cover shows a brunette woman with red lips in profile against a blue background, with a frond of peach-colored leaves in the foreground. One of the leaves obscures her eye, which gives her a mysterious appearance.

By Gabriela P.

In 1926, Agatha Christie could have had Hercule Poirot, her own creation, scratching his head. Her 11 day disappearance has no credible explanation to this day, and remains shrouded in conjecture. In her book The Mystery of Mrs. Christie, novelist Marie Benedict gives readers an exhilarating glimpse into what Christie may have been like. It is a fascinating blend of fact and fiction that is truly an empowering tribute to one of the most sensational mystery writers of all time.

The book is set up with alternating chapters between the past and the present, with Agatha giving a heart-rendering account of her life through her early years and marriage to Archie (Col. Archibald). The shackles of social norms and expectations that governed her marriage shape reveal an unexpectedly tragic side to her that not many readers may have imagined. As the story turns to her disappearance and the ensuing search, the book becomes a captivating back and forth between her own reflections and the increasingly loathsome Archie’s. 

I have always admired Agatha Christie. In my youth, I was a faithful fan and read each and every one of her novels.  Not a single one failed to keep me glued to the pages until the very end with their delightful characters. Of course I dreamt of being like Hercule Poirot, with his sense of humor, knowledge of human emotions, and effortless  brilliance. I was often left trying to solve each of the mysteries alongside him as his imagined assistant… but of course my personal theories always ended up missing the mark completely!

With Benedict’s book, I was given the opportunity to imagine a brilliant but naive young Agatha stifled by society. How could someone so intelligent and capable of creating characters that rivaled Sherlock Holmes lose themselves in an impossible journey to be a perfect wife in a perfect marriage? Benedict’s writing led me to feel all of Agatha’s fear, love, and frustration while sharing her journeys that inspired so many of her prided and celebrated characters.

As with her previous novels, Marie Benedict does not disappoint. She is a master in picturing both famous and not-so-famous people in history with wonderfully-researched work and rich storytelling.

Also available to borrow as an eBook.

Gabriela is a customer service specialist at the Miller Branch. She loves long walks, reading with her dog, and a good cup of coffee.

Tuesday Mooney Talks to Ghosts

The book cover depicts Tuesday Mooney running in silhouette at the center of a series of concentric circles, with buildings, a cat, birds, and streetlamps on the edges of the circles.

By Becky W.

Did anyone else have the experience of playing hours upon hours of capture the flag when they were young? I remember how a game consisting of just two bandanas, a few neighbors, and a backyard made me feel as though I were on a grand adventure spanning the globe. Kate Racculia’s Tuesday Mooney Talks to Ghosts brings me right back to that simple sense of adventure. As an unlikely cast of characters race to solve an eccentric billionaire’s high-stakes, citywide scavenger hunt, I couldn’t help but let my imagination wander.

When Tuesday walks into a room, people can’t help but notice her. A tall, broad, pale woman, dressed all in black. Perhaps it’s her Wednesday Addams appearance or the fact that she rolls her eyes at the thought of socialization, but Tuesday comes across as a textbook loner. She has a good job (protected by her cubicle), a fine home (stocked with X-Files DVDs), and a long-time friend (who is always the first to text). After the death of billionaire Vince Pryce, puzzle-obsessed Tuesday abandons her content life to join half the city of Boston in solving an elaborate scavenger hunt with the hope of wining a share of Pryce’s fortune. As more clues are uncovered, Tuesday becomes allied with a group of fellow hunters: Dex, her quick-witted best friend; Nathaniel Arches, an overly charming heir; Dory, Tuesday’s lonely teenage neighbor; and Abby, a childhood friend reported missing as a teen, but whose ghost managed to follow Tuesday into adulthood.

Tuesday Mooney Talks to Ghosts is an incredibly fun, quirky, imaginative book filled with great characters and an epic plot. Racculia’s use of treasure hunt whimsy juxtaposed with the common burdens of student loans and sellout jobs, makes this a relatable, charming story of adventure and friendship.

Tuesday Mooney Talks to Ghosts is also available as an ebook on Libby/OverDrive.

Becky is an Adult Instructor and Research Specialist at the HCLS East Columbia Branch who enjoys art and everything science.

Once Upon a River by Diane Setterfield

The book depicts the next of a swan as a winding river, with flowers scattered alongside and the title, "Once Upon a River," superimposed.

By Piyali C.

There are many ancient inns on the bank of the river Thames, providing their patrons with more than just ale and cider. Patrons looking for music go to The Red Lion at Kelmscott; for deep contemplation, they go to the Green Dragon at Inglesham; the Stag at Eaton Hastings is the place for gambling. But if they are looking for stories, they go to The Swan at Radcot, the most ancient inn of them all and only a day’s walk from the source of the Thames. On a dark winter’s night, sometime in the mid-nineteenth century, a seriously injured man enters The Swan with the body of a four-year-old girl in his arms whom he found floating in the river. Before he can give any explanations, he collapses in the arms of the storytellers at the inn. The innkeeper’s son Jonathan catches the body of the girl before the man falls. The child, presumed dead, is kept in a separate room while everyone gets busy looking after the man, who is still breathing, but just barely. Rita Sunday, the resident nurse of the village, is summoned immediately. She first tends to the injuries of the man, who we learn later is a photographer named Daunt, and then goes to look at the little girl’s dead body. Rita checks her pulse and her breathing and, finding none, she holds the hands of the girl and sits with her awhile, lamenting the death of one so young in such mysterious circumstances. In her hand, however, Rita suddenly feels a flutter of life! The girl, who had no pulse, comes alive.

The thread of the story unspools at this point just like the surge of the Thames roaring outside the inn. Like tributaries that feed the powerful river, each of the characters in this tale veers off to run his or her own course, only to come together to enrich the main body of the story. The narrator takes us on the journey of life with each of her characters and explains how their actions and decisions converge to solve the mystery of the little girl. The river, with its myriad turns and crossings and innumerable tributaries, becomes a powerful character in itself within the plot, always present in the background propelling the story forward with its mighty surge. There are so many intriguing questions that the reader wants answered. Who is the mystery girl who came back from the dead? Is she the kidnapped daughter of the wealthy Vaughan family? Is she the granddaughter of the black farmer Robert Armstrong, whose wayward son Robin married a woman and then left her alone with their little daughter, Alice? Or is the four-year-old girl the sister of 44-year-old Mrs. Lily White, as she adamantly claims? How is that possible? Who does she belong to and why won’t she speak?

The storyteller of this tale, which is fortified with folklore, magic, science, and myth, is one of the best, sweeping readers in the turbulent current of her fast-paced, hypnotic plot and then delivering them safely back to their own worlds to attend to their own rivers. “And now, dear reader, the story is over. It is time for you to cross the bridge once more and return to the world you came from. This river, which is and is not the Thames, must continue flowing without you. You have haunted here long enough, and besides, you surely have rivers of your own to attend to?” (460) Before leaving us, though, she makes sure each tangle of the plot is smoothly and expertly untangled, each question satisfactorily answered. Once Upon a River is yet another testament to the power of stories and storytelling that has captivated and transformed lives through centuries. This title is also available as an ebook and eaudiobook from Howard County Library System. In my opinion, this novel is best enjoyed in your cozy reading spot on a cold winter’s night, snuggled in your favorite blanket with a cup of hot chocolate by your side.

Piyali is an instructor and research specialist at the Miller Branch of HCLS, where she co-facilitates both Global Reads and Strictly Historical Fiction.

Djinn Patrol on the Purple Line by Deepa Annapara

by Piyali C.

In a sprawling basti (slum) in an Indian city where smog seems to smother the inhabitants along with trash, diseases, and terrible living conditions, children start disappearing. Nine-year-old Jai lives in the basti with his mother, who works for a lady in a ‘hi fi’ building, his sister, Runu didi, who is the fastest runner in her school, and his father, who works hard to provide for the family. Jai loves watching cop shows and wishes to become a detective like Byomkesh Bakshi or Feluda (both fictional detectives in Bengali literature) or Sherlock Holmes when he grows up.

The mystery of disappearing children gives him the perfect opportunity to hone his crime solving skills. Every detective needs assistants, and he employs the services of his best friends and classmates, Pari and Faiz, to be his sidekicks as he embarks into “detectiving.” The trouble is, Pari has excellent brains and always asks the right questions before Jai can even think of them.

As children in Jai’s basti continue to disappear, finger pointing begins targeting the Muslim community of the basti. Although frantic parents of missing children inform the police about these disappearances, drawing the ire of their neighbors, the police take no notice of these kidnappings. They come to take bribes from the poor, bereft parents instead. The other residents are infuriated at the involvement of the authorities as they worry the government can raze their basti with bulldozers since they live there illegally. Fanatic religious groups swoop in to assert their dominance and sow seeds of hatred and divisiveness between Hindu and Muslim communities.

While the story and the characters are fictional, the events are, unfortunately, real. According to the author, “as many as 180 children are said to go missing in India everyday.” The police investigation into these disappearances is negligible. The marginalized population remains invisible to the opulent class and their losses remain ignored. Deepa Anappara, during her career as a journalist, interviewed many impoverished children living on streets and in such slums.

The author chose nine-year-old protagonists to tell this story of loss because, during her interviews, she discovered that the street children have a great sense of humor despite horrific living conditions. Given their cheekiness and astute observation skills tinged with innocence, Jai, Pari and Faiz try to make sense of the sadness and chaos that envelop them. The narrative of the children makes the setting and environment even more poignant for the readers. The sense of place that the author creates transports the readers to Jai’s basti, and Anappara engages all our senses to experience the story. Lastly, the dialogue in the book is very typical of how many Indians speak English as they do literal translation of their mother tongue to the other language. I found the dialogues to be exact and authentic. Having Jai, Pari, Faiz, and others speak impeccable English would have marred the essence of the setting and authenticity. I am curious if the dialogue would be a deterrent for Western readers. The backdrop of the story reminded me of the incredible book about India’s biggest slum in Mumbai, Behind the Beautiful Forevers: Life, Death and Hope in a Mumbai Undercity by Katherine Boo.

Djinn Patrol on the Purple Line by Deepa Anappara is available at HCLS both in print and as an ebook in OverDrive.

Piyali is an instructor and research specialist at the Miller Branch of HCLS, where she co-facilitates both Global Reads and Strictly Historical Fiction.

Red Bones by Ann Cleeves

The book cover is blue, with a dark sky and the full moon over the shoreline in Shetland.  An isolated white building is in the distance and the moonlight stretches over the water from the foreground to the horizon.

Review by Julie F.

Red Bones, the third book in the Shetland series of mysteries by Ann Cleeves, delves into the family of Sandy Wilson, the young policeman who works for main series character Jimmy Perez. Sandy’s family lives on one of the outlying Shetland islands, Whalsay, in a small community where an archaeologist has recently unearthed bones that may or may not be “ancient history.” When tragedy ensues, Detective Inspector Perez investigates how Sandy’s extended family, as well as the students and professor involved with the dig, might be culpable. Not just a family drama, the story also recounts how an isolated community of individuals gossips, lies, and hides secrets, even from those they love the most.

The novel is also an interesting exploration of Sandy’s character. Early in the book, Perez is, “surprised that Sandy had shown so much initiative, wondered if he should congratulate him or if that would just be patronizing. In the office Sandy was always considered a bit of a joke. Perez had shared the low opinion at times” (35). Based on that description and his actions in the first two books in the series, Sandy could easily develop into a stock plodding detective, uninspired and demonstrating little intelligence or motivation. Instead, we see Perez give him challenges and progressively more difficult assignments throughout the case. He struggles with hard questions, matures, and takes on more responsibility, which is a testimony to Ann Cleeves’ ability to keep her characters multi-dimensional.

One of the things I love most about these books is how the characters and their relationships to one another grow throughout the series. Although the book furthers Perez’s personal story, including his budding relationship with artist Fran Hunter and her daughter Cassie, it is equally Sandy’s story, and that of the generations on the island who share a collective past both desperate and painful.

I listened to the audiobook on CloudLibrary as I read along, and narrator Gordon Griffin, an actor and dialogue coach, conveyed Cleeves’ beautiful, remote setting with dramatic (but never overblown) narration in an authentic accent.

I highly recommend the first two Shetland books, Raven Black and White Nights. If you enjoy the work of Ann Cleeves, look for her DI Vera Stanhope series (the first one is The Crow Trap, available as an ebook) as well as her newest series, Two Rivers, set in Devon, England and featuring detective Matthew Venn. The first book, The Long Call, is also available in ebook and eaudiobook from Libby/OverDrive. And if you enjoy the novels, both Shetland and Vera are available in DVD format at HCLS in television series produced by the BBC and ITV, respectively.

Ann Cleeves is a 2017 winner of the Diamond Dagger of the Crime Writers’ Association, the highest honor in British crime writing. She also won the Agatha Award in the Best Contemporary Novel category for The Long Call. Visit her website to learn more about this remarkable author.

Julie is an instructor and research specialist at HCLS Miller Branch, where she facilitates two book discussion groups – Spies, Lies, and Alibis and Bas Bleu.