Tag LGBTQ+

An illustrated cover shows a woman dressed all in black, casting a stark shadow, heading over a suspension bridge. The image is blurred into a bright orange background.

The Verifiers by Jane Pek

Angie Engles Leave a comment
An illustrated cover shows a woman dressed all in black, casting a stark shadow, heading over a suspension bridge. The image is blurred into a bright orange background.

by Angie E.

Jane Pek’s The Verifiers is a mix of speculative fiction and whodunit, and it takes place in a world where people rely on matchmaking services to find their soulmate. Sounds familiar, right? But in this book, these services are on steroids. They use algorithms more complicated than a Rubik’s cube and are worshipped by society.

Claudia Lin is no stranger to bucking her family’s traditional expectations; she has no desire to pursue a conventional career or to follow her mom’s dream of finding a “nice Chinese boy.” She’s also accustomed to keeping secrets from them, such as being
gay and her recent recruitment by Veracity, an exclusive online-dating detective agency. A master of uncovering lies, having honed her skills through a lifetime of reading detective fiction, Claudia has never used a dating site or had much to do with the digital world.

That all changes when Iris Lettriste, a mysterious client, hires her to investigate two suitors, one of whom she’s never even met. The company who hired her is ready to put Claudia’s expertise to the test. But Claudia’s lack of experience with the digital world and her devotion to detective fiction make her an ill-suited candidate for the job. Her specialty is exposing liars, but this task requires more than just uncovering deceitful spouses, job applicants, and online daters.

Even so, Claudia’s got a hunch that something fishy is going down with Iris. Then Iris disappears from both the real world and the digital world, leaving Claudia high and dry. To make matters worse, Iris deletes all her profiles. What’s going on here? Claudia’s adventure is starting to sound like something straight out of her favorite fictional detective ‘s playbook:

  • Was Iris killed?
  • Did she harm herself?
  • Was she even Iris at all?
  • Maybe she was her own sister?
  • And what’s the deal with her being a broke, heartbroken dropout from journalism school?
  • Or was she a fearless investigative reporter about to expose the dating industry?

Pek takes an already intriguing, sometimes zany, mystery up a notch with a protagonist who’s smart and sarcastic but also rather a bit of an underachiever. The family drama is complex and juicy, and there’s social commentary on how much technology is taking over our lives. Claudia is all about classic noir elements: the mysterious client, the amateur sleuth, and all those pesky red herrings. But here’s the kicker – this book puts a modern spin on things that’ll have you hooked from page one.

If you’re not already one of those people always questioning whether the people you meet online are really who they claim to be, you will be. The Verifiers is also about whether we’re letting algorithms control our lives and if we’re sacrificing our freedom
for the sake of convenience and fantasy. I mean, sure, we could just delete our apps and stop searching for truth and happiness online, but who’s really going to do that?

Reads of Acceptance book discussion group meets virtually. Register to join the discussion of The Verifiers on Thursday, April 27 at 7 pm. Books are available for pick-up from the Central Branch; ask for a copy at the Customer Service desk.

Angie is an Instructor & Research Specialist at Central Branch and is a co-facilitator for Reads of Acceptance, HCLS’ first LGBTQ-focused book club. Her ideal day is reading in her cozy armchair, with her cat Henry next to her.

The three novella coves in a row, in pinks, oranges, and blues.

The Singing Hills Novellas

Kristen B. Leave a comment
The three novella coves in a row, in pinks, oranges, and blues.

by Kristen B.

Novellas have gained in popularity recently, and I suspect it’s because you get the satisfaction of a complete story without committing to a doorstop of a book. This holds particularly true in the speculative fiction genre, where 500+ page tomes are the norm. Nghi Vo is a master of this short form.

She has crafted a series of stories that follow cleric Chih of the Singing Hills Monastery as they travel, collecting stories as they go. Singing Hills specializes in history and folklore. The most reliable way Chih can elicit a story from someone happens when they tell one version of a tale. Their listener often says something to the effect of, “that’s not how I heard it,” and proceeds with the “correct” version. Chih is accompanied by a talking hoopoe bird with perfect recall named Almost Brilliant – but their interactions are entirely so. You can enjoy three installments to date, with a fourth coming this fall.

The Empress of Salt and Fortune (which won Hugo and Locus awards for best novella) is an amazing story of empire and ambition, with important details found in what is omitted as much as in what is overt. Chih visits a mostly abandoned country estate, where the only person living there happens to be the maidservant (and lover) of the former empress. She certainly has a story to tell our Singing Hills cleric! It’s one well worth the price of mild disorientation as you put the pieces of a major event together with Chih. Vo recounts this seemingly unimportant woman’s story in elegant, poetic language and imagery.

When the Tiger Came Down the Mountain may offer the best example of survival by asking for the corrected version of a story. As long as Chih keeps the tigers talking, they stay (mostly) safe until an expected contingent of mammoths can arrive to scare the hunters away. Tigers, you see, are proud creatures, clearly superior to humans. Just ask them. They also fall in love and prey to tricky foxes. The glory of this installment comes from understanding tigers as people – who are also hungry animals who regard Chih as a snack. It’s a wonderful story about relationships, empire, and living up (or down) to expectations.

Into the Riverlands brings Chih into the orbit of a group of travelers. This time they are in the riverlands, a delta area full of braided streams and marshlands where many rival martial arts masters co-exist – sometimes peacefully, often not. Here, Almost Brilliant shines by having a familiarity with the legendary personalities and combat styles involved. Again, beginning a story often elicits other versions and corrections. This installment offers more adventure, starting with the initial brawl in a tavern and ending with a spectacular battle. Many clues and inferences come together for an entirely satisfying conclusion.

I can’t wait to see where Chih and Almost Brilliant go next. Several colorful threads stitch these stories together: a non-Western milieu in the fantastical empire of Ahn; mostly humble, working-class protagonists, who nonetheless make a difference in their world; and cheerful acceptance of a generally queer outlook on the world. Beyond Chih’s non-binary identity, the books celebrate that love comes in many forms. We must all be true to our hearts, which is not a bad theme for some light-hearted books.

Kristen B. is a devoted bookworm lucky enough to work as the graphic designer for HCLS. She likes to read, stitch, dance, and watch baseball in season (but not all at the same time).

Two young men walking past each other, one holding a moving box and one with duffle bag over his shoulder. A city skyline fills the background.

What If It’s Us by Becky Abertalli and Adam Silvera

monaerivers Leave a comment
Two complementary covers, featuring young men wearing jeans and short sleeve shirts. They are passing by each other in the first and sitting at a cafe table in the second. There's a city skyline in the background of both.

By Monae R.

Coming back from the holidays is always hard. Getting back into the routine of waking up, getting your morning coffee, heading to work, and dragging through the day. This is fairly universal. I have to say, though, this routine becomes a lot easier if you have just read a good book you cannot wait to tell everyone about.

Becky Albertali and Adam Silvera work together well on What If It’s Us. I am extremely passionate about this particular series. With only two books, I was on the edge of my seat deep into the romance and relatable topics. The characters are lovable, and the writing is fantastic. To make it all just that much sweeter, the icing on the cake, the Libby audiobook readers are absolutely fantastic and exactly how I imagined the characters sounding like. They do the story a huge justice and bring the characters to life in a way that took me even deeper into the story.

What If It’s Us is a romantic comedy for young adult readers told from the perspective of both main characters, who are fully experiencing the age when teenagers are angsty and looking for companionship. The characters come from different worlds and their chance encounter has them floating on the idea of fate and love at first sight. The story follows Ben and Arthur through the life trials of dates, long distance, and college in the heart of New York City.

It’s not everyday that a chance encounter leads to more, and sometimes fighting for it is the best decision. Follow these two teens and their friends and family through the trials of life. Their story continues in Here’s to Us where Arthur and Ben have gone through a lot of changes in the past two or so years. The 16 year olds are now 19 and have new perspectives on life, work, relationships, and where they want their lives to go. Follow them as they navigate adulthood and the struggles that come with being in New York together again.

Both authors have several other books. Becky Albertali is a previous psychologist famously known for her 2015 debut novel, Simon vs. the Homo Sapiens Agenda, which was adapted into the 2018 film Love, Simon and inspired the spin-off television series Love, Victor. Adam Silvera is known for his bestselling novels They Both Die at the End, More Happy Than Not, and History Is All You Left Me.

Monae is a Children’s Instructor and Research Specialist at HCLS East Columbia Branch.

A black and white photo of Harvey Fierstein from below, as he looks down into the camera whild having his hands against one side of his face.

I Was Better Last Night 

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A black and white photo of Harvey Fierstein from below, as he looks down into the camera whild having his hands against one side of his face.

by Cherise T.

Harvey Fierstein, I beg to differ with your memoir title, I Was Better Last Night. Although I’ve never had the privilege of experiencing one of your shows two nights in a row, every time I have seen you, the performance has been remarkably bodacious and sincere, distinctive and familiar. You immerse the audience in worlds we’ve never seen before, drawing us in even deeper with elements resonating from our own lives. How could you have been even better? 

I Was Better Last Night opens a treasure trove of stories for theater lovers. Did you know that Disney thought Newsies could never be a hit musical? That the original producers of 1983’s La Cage aux Folles vehemently nixed the gay couple’s kiss? That beloved actress Estelle Getty of The Golden Girls first found fame at age 59 in Torch Song Trilogy, starring in a role written just for her? Brimming with mostly loving, but occasionally scathing, Broadway backstage tales, Fierstein’s memoir exposes the details of show creation. We learn his insights into what worked and what didn’t and how the cast and creative crew contribute to the final product. We hear juicy tales of relationships gained and broken, Tonys won and lost, musicals with multiple revivals and singular flops. 

As an actor, playwright, screenwriter, and proudly out gay icon, Fierstein has a lifetime of stories to tell, and the book truly spans his whole life. The memoir maintains a captivating balance between the personal and the professional. Some of the most poignant chapters in the book explore his evolving sexual identity and the context in which he places his own growth as a queer man within the current social environment. He spares few details when writing about New York City’s bathhouses and the HIV/AIDs epidemic. 

Fierstein has won many awards and garnered extensive fame for his contributions to Mrs. Doubtfire, Hairspray, Fiddler on the Roof, La Cage Aux Folles, and Torch Song Trilogy, to name a few. It’s fascinating to learn how he credits his becoming a successful performer and writer to character, lucky timing, supportive mentors, and determination. In another life, he would now be a retired public school art teacher. 

The book is available in print and electronic formats. Consider the audiobook version, if you enjoy Fierstein’s distinctive gravel-filled Brooklyn accent as much as I do. Describing the creation of the musical Kinky Boots, for example, he does a spot-on impersonation of Cyndi Lauper, the first solo woman to win a Tony for best original musical score. Offering lyrics he’s sung and lines he’s written, Fierstein is a compelling author-narrator, adding an additional layer of insight into his creative life. His self-deprecating sense of humor really shines. For the wonderful photographs, check out the print version as well. 

And the title? Yes, Fierstein seems to have the ego we associate with stars. There’s no doubt he believes in himself and the strength of his work, but like the final principle of Lola’s six–step program in Kinky Boots, “You change the world when you change your mind.” He describes times he could have done better, admits missteps, and encourages everyone to open their minds and hearts. 

Cherise Tasker is an Adult Instructor and Research Specialist at the Central Branch. When not immersed in literary fiction, Cherise can be found singing along to musical theater soundtracks. 

The book cover depicts the two main characters, Luc and Oliver, leaning in opposite corners against frames of iconic London scenes in line drawings: a teapot and teacup, London Bridge, Big Ben, the London Eye Millenium Wheel, an umbrella, a double-decker bus, and a British flag. All are drawn in white against a background of the red and blue hues of the British flag.

Boyfriend Material by Alexis Hall

Peter N. Leave a comment
The book cover depicts the two main characters, Luc and Oliver, leaning in opposite corners against frames of iconic London scenes in line drawings: a teapot and teacup, London Bridge, Big Ben, the London Eye Millenium Wheel, an umbrella, a double-decker bus, and a British flag. All are drawn in white against a background of the red and blue hues of the British flag.

By Peter N.

In all honesty, I had been in quite a reading slump. Until this.

Boyfriend Material by Alexis Hall was exactly what I needed. A light read, a little bit of fluff, and a satisfying turn of events for two hapless chaps in London, England. Luc is a rudderless ship in the sea of life, just coasting from one man to another and stuck in a job that he won’t admit he doesn’t totally hate, raising funds for the preservation and defense of dung beetles. The kicker? The charity is aptly named CRAPP, or The Coleoptera Research and Protection Project. Did you laugh? Because I did, and that’s not the last laugh-out-loud moment you’ll have when reading this book. I found many a moment where I loudly cracked up and others had to ask me what I was laughing about.

Now, Luc is in a pickle, not only because he’s the child of two current and former rock stars from the eighties, but also because his talent for landing himself in the tabloids for unscrupulous moments has his job in jeopardy; no one wants to donate to a charity that employs someone like him. In comes Oliver Blackwood, a stiff and proper barrister whom he met once before but made the worst impression on due to copious amounts of alcohol. Oliver is his chance to sort out his issues, and so Luc hatches a plan where they pretend to be in a relationship to clean up Luc’s image, as well as provide a plus-one for Oliver for his parents’ ruby anniversary party. But what happens when a classic romantic trope leads to more? You can’t just be fake boyfriends and not expect some real feelings to develop. Right?

Well, from the first few glimpses of how real a relationship between these two men could be, I was HOOKED. Throw in a kooky friends group, complicated parental relationships, and French Toast, and you’ve got quite an enjoyable read about two chaps who were aimless as individuals, but found their way together. I found myself wanting to slap Luc upside his head and hug him at the same time. Oliver was so proper that it hurt, but the momentary glimpses of his real self and his humanity felt special, and I felt privileged to see them. Alexis Hall crafted a great book that I felt such a connection to, and I cannot wait to delve further into their story in the next book in the London Calling series, Husband Material. 

Peter is an Instructor and Research Specialist at the Miller Branch and has a humongous sweet tooth, so the numerous mentions of French Toast in this book DID NOT HELP.

The main characters of DeadEndia: The Watcher's Tesst appear against a segmented background of devilish figures.

DeadEndia & Dead End: Paranormal Park

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The main characters of DeadEndia: The Watcher's Tesst appear against a segmented background of devilish figures.

by Ash B.

Set in haunted amusement park themed around the life and career of fictional actress-superstar Pauline Phoenix, the world of DeadEndia is full of spooky, supernatural fun. If you’ve got a Netflix account and a kid older than 7, or you’re fan of cartoons with great representation, you’ve probably heard about Dead End: Paranormal Park. The Netflix show was adapted from a graphic novel series called DeadEndia, which you can borrow from the library.

The main characters of Norma, Barney, and Pugsley began as an animated web short for Cartoon Hangover. Creator Hamish Steele used this as inspiration for a new webcomic, which, in turn, became DeadEndia: The Watcher’s Test and DeadEndia: The Broken Halo graphic novels. The third and final book is anticipated to release next year.

I was first introduced to the world through the graphic novels – so, imagine my excitement when one of my favorite reads became an extremely well-adapted animation! The show diverges quite a bit from the graphic novels in some ways, particularly how the main characters meet and the story begins. From there, the first episode of the show lines up pretty closely with the first chapter of DeadEndia: The Watcher’s Test. The demon king is summoned and possesses Barney’s dog, Pugsley, instead of one of the humans as planned; Norma cleverly figures out how to defeat the demon king; Pugsley is left with magical powers, including the ability to talk. The story continues with a balance of paranormal adventures, such as “monster of the week” style demon-fighting episodes/chapters, along with the emotional rollercoasters of personal identity, mental health, romance, and family struggles.

The novels strongly resonated with me because of the way Barney’s transmasculine experiences were included. In both the comics and the show, we find out that he was primarily interested in getting a job so that he could gain independence from his parents. The show allows for more development of Barney’s relationship, though. I think the cast and crew nailed it, with a family that goes through realistic misunderstandings and growing pains, but makes it through the rough patch to fully embrace the LGBTQ+ kid. 

The graphic novels have a special place in my heart for certain heartwarming details. For example, Barney gives Pugsley a copy of The Very Hungry Caterpillar as he learns to read, and Pugsley compares Barney to the titular caterpillar. Pugsley eventually clarifies: “My comparison was due to the fact that we all start off looking and sounding a little different to how we turn out. Some more than others. But that doesn’t change who we are on the inside.” This line, especially in the context of the rest of the chapter (which I won’t spoil here), is so gentle and comforting to a trans reader like me. 

Probably the most notable point of difference between the show and comics is the target audience. The comics are aimed at young adults (ages 14+), with Barney, Norma, and their peers being in their early twenties. When adapted for the small screen, the characters were aged down to be in their teens and the material made suitable for a younger audience. The graphic novels can be enjoyed by teens and adults alike, and you can borrow them in print from HCLS. 

Ash is an Instructor & Research Specialist at Central Branch and is a co-facilitator for Reads of Acceptance, HCLS’ first LGBTQ-focused book club. Their favorite place to read is spread out on a blanket under the shade of the tree. 

Covers of the three books in the series: Witchmark in blue, Stormsong in deep purple, and Soulstar in reds and pink. Each features figures in black silhouette against colorful backgrounds.

The Kingston Cycle by C. L. Polk

Kristen B. Leave a comment
Covers of the three books in the series: Witchmark in blue, Stormsong in deep purple, and Soulstar in reds and pink. Each features figures in black silhouette against colorful backgrounds.

by Kristen B.

Ursula LeGuin wrote a famous short story, “The Ones Who Walk Away from Omelas,” about a utopian city with a catch. The peaceful and joyous life of the city’s citizens is made possible only through the absolute suffering of a single child. Everyone is made aware of the bargain as they reach adulthood, and those who can’t sanction it become those who walk away. In Witchmark (also available as an e-audiobook), author C. L. Polk answers LeGuin’s moral question more firmly: Those who can’t sanction a bad bargain are destined to unmake it.

Meet Miles, a war veteran who works as a psych doctor in a veterans hospital. The book begins with a dying man dumped, almost literally, into Miles’ arms. Our brave doctor has been tracking some worrisome patterns at the hospital, with traumatized veterans reporting a mysterious malaise, one that actively promotes domestic violence and mayhem. Miles sees the connection but can’t figure out why it’s happening or how to stop it. Side note: the role of newspapers in this series delights me!

Miles has turned his back on a wealthy but constrained life to use his healing talents. In Kingston, capital city of Aeland, the uppermost class possesses magic to control the weather, particularly the huge storms that threaten every winter. Other witches are considered dangerous to themselves and others, and they are institutionalized around the country. The author provides an antidote to all these troubles with a lovely romance blossoming between Miles and Tristan Hunter. Tristan has a rather unusual background that plays into solving both the initial murder and the other issues.

Polk continues to weave a Gordian knot of interrelated troubles, because the problems aren’t limited to a single world. There’s also the Solace, which exists parallel to Aeland, where souls go to reside after death. The Amaranthines rule there, an immortal race that serves as a sort of overarching moral conscience to the regular world, though one with real teeth. It turns out that they have noticed strange happenings during and after the recent war, and they are concerned because no Aelander souls have come into the Solace in decades. Therein hangs the rest of the story, but I don’t want to spoil it for you.

Witchmark sets the stage for the next two books, which are substantially more political in nature. Miles’ sister, heir to the family’s fortune and magic, becomes the main point of view for the second book, Stormsong (also in e-audiobook format). Grace has to balance the country’s needs against her own as her one true love also happens to be a star newspaper reporter. She must further balance her magical duties to protect Aeland from increasingly violent storms with her political position as Chancellor to a queen who has no desire to make necessary changes. A locked door political assassination only adds to her difficulties.

The third book, Soulstar, moves to yet another character, Robin, who has been part of the proceedings all along as a nurse and friend at Miles’ hospital and a key player in Grace’s political striving. She belongs to a minority and operates as a secret witch, whose talent lies in seeing and communicating with the dead. As the books progress, we see Aeland’s highly inequitable, stratified, royalist society change drastically. Revolution is the name of the game in this final book. Modern parallels are clear, but it’s still fun to root for the underdogs who want a seat at the table and their fair share of pie. Maybe what we need is a magical, immortal race to encourage us to live with compassion and sympathy for others.

All three books take place in Kingston, in which Polk gives us a deeply imagined, tangible city that seems as real as the wonderful, persistent people who live there. In each installment, you get a rousing story, a queer romance, and a hero who is trying to make the world a better place. Because if you can’t condone living in a society that excels only by requiring the suffering of some people, what does that require of you?

Kristen B. is a devoted bookworm lucky enough to work as the graphic designer for HCLS. She likes to read, stitch, dance, and watch baseball (but not all at the same time).

The photograph depicts actor Pierre Jean Gonzalez in his starring role as Alexander Hamilton, wearing a white shirt, pants, vest, and cravat, with a brown overcoat with gold buttons. His head is turned to the side and he is gazing into the distance.

In Conversation: Pierre Jean Gonzalez

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The photograph depicts actor Pierre Jean Gonzalez in his starring role as Alexander Hamilton, wearing a white shirt, pants, vest, and cravat, with a brown overcoat with gold buttons. His head is turned to the side and he is gazing into the distance.
Photo credit: @ Joan Marcus

By Cherise T.

Fans of Hamilton know the impressive acting, singing, and dancing skills required to bring to life the musical’s complex characters. Hamilton showcases multiple musical genres, innovative choreography, and insightful portrayals of historical figures responsible for the founding of the United States. We are excited to share highlights from our conversation with one of the show’s remarkable stars whose work impacts the artistic content we will see in the future.

The photograph is of Hamilton star Pierre Jean Gonzalez, wearing a black shirt and facing the camera.
Photo credit: @ Ambe J. Photography

Growing up in the Bronx, Pierre Jean Gonzalez never saw himself represented in the television shows he watched. Today, he is starring in the national touring company of Hamilton, and is the co-founder of DominiRican Productions, whose “mission is to see People of Color on both sides of the camera.” The creation of the production company was part of his “pandemic journey” to “address issues of representation.” He feels grateful that “because of Hamilton, I’m able to use my status to help others.” 

What’s it like playing Alexander Hamilton? “Challenging” and “amazing.”

Is BIPOC casting in musical theater important and why? To summarize, it has changed Pierre’s life as well as the lives of other creative people and audience members.

How are opportunities for underrepresented and marginalized communities created? Case study: DominiRican Productions.

We examined these issues and took audience questions at our September 20 event at HCLS Central Branch. The evening featured a screening of DominiRican’s award-winning experimental short, release, directed by Pierre, featuring a poem and performance by Cedric Lieba Jr., the cofounder of DominiRican Productions, and Pierre’s fiancé. Explore their inspirational projects at https://dominiricanproductions.com.

The photograph depicts Pierre Jean Gonzalez looking at books from the HCLS Central Branch equity collection with instructor and research specialist Ash Baker.
Instructor and Research Specialist Ash B. highlights the HCLS Central Branch Equity Resource Collection for Pierre Jean Gonzalez.

The focus of Pierre’s biography surrounds his advocacy for Latinx and LGBTQ+ opportunities on stage, on screen, and behind the camera. He and Cedric used the pandemic’s constraint on their acting careers as a chance to construct a unique artistic venture highlighting original voices and fresh talent to viewers. Inspired in part by the musical heritage, humanity, and diverse casting of Lin-Manuel Miranda’s work in Hamilton, Pierre builds and supports projects that might otherwise never be produced. His dedication to inclusion and community is clear, and we were all motivated by his empowering message of kindness and empathy in art. Pierre shared his personal coming out story as well as guidance for all of us to live our truth, share our stories, and lift up those around us.

Pierre Jean Gonzalez is on the stage at HCLS Central Branch, speaking into a microphone in front of an audience.
Pierre Jean Gonzalez in conversation with Cherise Tasker, Instructor and Research Specialist, at HCLS Central Branch.

Howard County Library System was excited to host this talk with Hamilton star Pierre Jean Gonzalez. Although registration for this event filled almost immediately, please watch our Classes & Events page for daily updates on future presentations and interactive sessions: https://howardcounty.librarycalendar.com.

Cherise Tasker is an Adult Instructor and Research Specialist at the Central Branch. When not immersed in literary fiction, Cherise can be found singing along to musical theater soundtracks.

Cover of Allison Bechdel's newest book next to a photo of the author.

Cartoons and Memoirs with Alison Bechdel

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by Holly L.

If you don’t think you know Alison Bechdel, cartoonist extraordinaire whose 2006 graphic novel Fun Home was adapted as a Broadway musical, you may have heard of the Bechdel test. The Bechdel test, a tool for evaluating the depiction of women in film (though the test can be applied to literature as well), has its origins in The Rule, a 1985 strip of her long-running comic Dykes to Watch Out For. In response to being asked to go see a movie, a character explains her “rule” about movies having to meet three requirements: 1) it has to have at least two women in it who 2) talk to each other about 3) something besides a man. Bechdel has expressed surprise at the cultural influence of something that came about when she was out of ideas for her strip and heard her friend Liz Wallace mention her own version of the “rule.”

“The only movie my friend could go see was Alien, because the two women talk to each other about the monster. But somehow young feminist film students found this old cartoon and resurrected it in the Internet era and now it’s this weird thing. People actually use it to analyze films to see whether or not they pass that test. Still … surprisingly few films actually pass it.”

Bechdel got her start as a professional comic artist in June 1983 when WomaNews, a New York-based feminist newspaper, published her first strip. Her single panel art evolved into multi-panel strips and she was later picked up by several national alternative and gay weekly papers. Dykes to Watch Out For (DTWOF) chronicled the everyday lives and misadventures of lesbians in a mid-size American city. Bechdel referred to it as “half op-ed column and half endless serialized Victorian novel.”

Bechdel, who identifies as a lesbian since coming out at age 19, may be best known for her graphic novel memoirs that explore sexuality, identity, and familial relationships. Fun Home: A Family Tragicomic was published two years before DTWOF ended its run in 2008. This richly-detailed, poignant, and humorous autobiography delves into Bechdel’s past as the daughter of Bruce Bechdel, a closeted gay funeral home director.

A green tinted illustration show a table with a black and white family portrait. Title appears in yellow lettering

The details of the author’s youth are as carefully rendered as the family’s gothic revival house was painstakingly restored by her father, an aesthete who, “treated his furniture like children, and his children like furniture.” Bechdel compares her late father to F. Scott Fitzgerald, an author he revered, and the entire novel is peppered with literary allusions, which is fitting considering both her mother and father were teachers and voracious readers.

As Bechdel reflects on her relationship with her late father, I was moved by her ability to render him with sympathy despite his many flaws as a parent. I’ve heard some refer to Fun Home as a “gateway” graphic novel, as its themes of family and identity and its tender, comic narrative have a universal appeal, making it accessible to readers who may be new to the form.

Are You My Mother?: a Comic Drama was published in 2012 and was the first full length work of Bechdel’s that I read. Pregnant with my first child at the time, I was especially drawn to this fascinating portrait of Bechdel’s complicated relationship with her mother. A formidable figure, Bechdel’s mother kept her daughter at a distance, and stopped touching or kissing her good-night at the age of seven.

The red tinted cover includes a vanity handheld mirror, a lipstick tube, bed, and a black and white photograph. The title appears

A frustrated artist stuck in a deeply unhappy marriage, Helen Bechdel might be what English pediatrician and psychoanalyst D.W. Winnicott called a “good enough mother”- a mother who, in her imperfection, gives her child space to grow and develop independently of her. Bechdel spends quite a bit of ink on Winnicott and his object-relations theory, and on psychoanalytic therapy, where Bechdel has spent many hours over the years. In addition to examining her intense relationship with her mother, she also chronicles her romantic relationships with women over the years as a self-confessed “serial monogamist.”

I think that many readers will sympathize, as I did, with Bechdel’s simultaneous desire to please her mother while also trying to establish her own creative identity. A scene that I found especially touching involved Bechdel’s mother taking dictation from a young Bechdel, as she narrated the events of her day: a mother-daughter diary collaboration as well as a foreshadowing of the years of therapy to come in Bechdel’s future.

Bechdel’s most recent graphic memoir, The Secret to Superhuman Strength, came out in 2021 and focuses on the author’s lifelong obsession with working out.

Illustration of a person doing silly stretches with a bike pump and skis behind them.

Starting with a childhood preoccupation with the Charles Atlas bodybuilding ads she saw in her comic books, Bechdel became fixated on exercise as a means of quieting her anxious brain and controlling, and even transcending, her physical form. Although I was a bit skeptical when I first heard the subject of the book, any misgivings were laid to rest as I quickly became absorbed by the narrative, following Bechdel on a diverse tour that visits Jack Kerouac and the Beats, the Romantic poets, and Transcendentalist thinkers, along with figures from Bechdel’s life.

On this journey, Bechdel uses exercise to explore bigger subjects, digging at the question of why we exercise, which can be extended to why we do anything. Organized by decade, this is a book of substance and plenty of style, with Bechdel’s trademark precise drawings enlivened by her partner artist Holly Rae Taylor’s brushstrokes of vivid color. As much as I loved her previous two memoirs, they dealt with pretty heavy subjects, and The Secret to Superhuman Strength, while just as thoughtfully crafted as any of her other works, is a bit lighter, making it a perfect candidate for a great summer read.

Holly is an Instructor and Research Specialist at the Miller Branch. She enjoys knitting, preferably with a strong cup of tea and Downton Abbey in the queue.

Two silhouettes contain stars and planetary scenes, one in cool tones and one in warm ones.

Winter’s Orbit

Kristen B. Leave a comment
Two silhouettes contain stars and planetary scenes, one in cool tones and one in warm ones.

by Kristen B.

Sometimes, it’s fun to figure out why a book has its title. Often, there’s an a-ha moment while reading when I come across the phrase or the action where it all makes sense. Winter’s Orbit by Everina Maxwell has a lot of selling points, but the title may not be one of them. Okay, okay: The main characters maybe come to understand their feelings for one another while stranded in the snowy wilderness. I’m still not a fan of the title – too cold and distant.

However, I am a huge fan of the book with all its space opera and romance fun. It was exactly the escapist fiction I needed during a recent high-stress period. Prince Kiem is the disaster of a gadfly royal who spends his life with his charities and in the tabloids, but perhaps he has hidden depths that are just too much trouble to plumb. He is instructed by The Emperor, His Grandmother, that he is to make a dynastic marriage with his recently deceased cousin’s widower, Count Jainan. While politically necessary to hold an interstellar treaty together, Kiem finds the entire idea beyond intrusive based on what he figured was a “perfect marriage” that ended in tragedy. Kiem is pretty much a good egg who gets in his own way much too frequently. Jainan is another story altogether, but we’ll get there.

Those interstellar politics are vitally important and drive the science-fictional side of the story. Kiem and Jainan’s marriage solidifies the alliance between the Iskat Empire and its planet Thea. The Iskat Empire has similar arrangements with each of the seven planets that it holds, and it must maintain those relations to have continued access to the galaxy-spanning Resolution’s technology. And, it’s time to renew the 20-year treaty with the Resolution, meaning Kiem and Jainan’s marriage isn’t just a convenience. If the Empire falls apart, the separate planets become targets for larger, toothier fish in their medium-sized galactic pond.

Jainan’s world, Thea, is not entirely convinced that being part of the Empire has any immediate benefits. While he is part of an alliance marriage, Count Jainan also has commitments to his immediate family, his larger clan, and the planet. Part of the story hinges on discovering why this immensely intelligent human (space engineer by education and avocation) has withdrawn so completely from his duties. The pattern of Jainan’s reactions and assumptions leads to some fairly ugly realizations, as his new spouse Kiem discovers that maybe the first marriage wasn’t entirely what it seemed.

As in most romances that rely on wrongly held assumptions and misunderstandings, a good conversation or two would have gone a long way to soothing some of the worst conundrums. However, personalities and various crises allow our two lovable nincompoops to stumble around each other for far too long. They eventually recognize that it’s not only their relationship that needs some sleuthing – Cousin Taam’s death looks more and more like murder, the arranged marriage isn’t being accepted by the Resolution, and something hinky is going on at a mining station in Thean orbit.

It’s a whirlwind of a book filled with handsome men, entirely competent women, and all sorts of mysterious goings-on. The secondary characters fill out the margins and spaces between Kiem and Jainan in wonderful ways. I would really enjoy a book featuring Kiem’s personal assistant, Bel, who seems to have quite a piratical background. I also appreciate this book for its rather matter-of-fact portrayal of all sorts of gender identities and love interests. Yes, the primary romance is male/male, but it’s delightful that, in some rather refreshing ways, varied gender expression is commonplace and accepted. I’m looking forward to continued adventures in Maxwell’s universe (hopefully with more appealing titles).

Kristen B. is a devoted bookworm lucky enough to work as the graphic designer for HCLS. She likes to read, stitch, dance, and watch baseball (but not all at the same time).