by Ash B.
If you’re at all aware of contemporary LGBTQ romance fiction, then you’ve no doubt heard about Red, White & Royal Blue by Casey McQuiston. I’ve honestly yet to read it, but I can confirm there is no sophomore slump for McQuiston with their second novel One Last Stop.
One Last Stop follows August, a cynical 23-year-old college student, as she adjusts to life in New York – trying out yet another college in another city – complete with quirky roommates, a job at a pancake diner that she may or may not be qualified for, and a subway route that she happens to share with the most attractive girl she’s ever seen. The aforementioned “Subway Girl” goes by the name Jane, she is equal parts kind and fierce, and… well, her existence may defy reality as we know it.
I leave this intentionally vague for a reason: I likely would have found the book even more enjoyable if I had no idea of the plot before I started reading, given that McQuiston spends quite some time building up the mystery of who – or what – Jane actually is. Therefore, I will refrain from going into detail about the book’s premise. Honestly, if this review piques your interest in the title, then I recommend that you simply dive into the book for yourself without reading the summary!
However, I will divulge that, in my opinion, One Last Stop is an example of speculative fiction at its most accessible, and I absolutely loved it. In a recent interview, Casey McQuiston explains how they “have always loved that genre that’s sort of one step away from sci-fi, one step away from magic or fantasy. It’s a type of romcom that I think was really popular in the late ‘90s and early 2000s,” referencing films such as 13 Going On 30 and Freaky Friday. These are not stories typically considered sci-fi or fantasy – at least, not in the same way as Star Wars or Lord of the Rings – but they absolutely exist within the realm of speculative fiction, incorporating fantastical elements while allowing the author to set the story in an otherwise ‘normal’ contemporary world. The reader can take comfort in the familiarity of the overall setting but can be surprised, or at very least entertained, by the circumstances that arise from the speculative elements employed.
Whereas these elements are often used for comedic potential in Hollywood movies, McQuiston is able to use them in a way that enriches One Last Stop with queer history and profound examinations about social differences between the past and present. And, of course, the situations created by the speculative elements are also well-suited for romantic tension and drama, which makes for a very engaging story.
I’ve found that a book is a particularly good read for me personally if it reminds me of other books I’ve loved, automatically encouraging my brain to go into “let’s compare these parallels!” mode while simultaneously being an enjoyable narrative on its own. One Last Stop is a perfect example of this! At the beginning, I found myself thinking of An Absolutely Remarkable Thing by Hank Green, as both of these novels feature mystery-loving bisexual female protagonists in their early twenties, living in present-day NYC, that end up being caught in the middle of seemingly unreal circumstances. McQuiston’s lovable cast of characters, development of a queer found-family trope, and flirtation with the “star-crossed lovers” trope (but with a happy ending!) reminded me of Cemetery Boys by Aiden Thomas. And by the end, as hidden family histories and unexpected connections between characters are revealed, I excitedly reminisced about The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid. Other than being some of my favorite reads in the past few years, I would not think to compare any of those three titles with each other… yet they fit perfectly in comparison to One Last Stop.
In its best moments, One Last Stop is so tenderly written that it makes me yearn for a life in New York City – and that’s saying something, considering I’m a lifelong suburbanite who’s always been more drawn to the countryside than the city. McQuiston crafts likable characters who speak realistically about life in their city, honoring both the beauty and the struggles of the world which they inhabit. Not only that, but the city itself – and certain destinations within it, such as August’s apartment and the pancake diner where she works – feel like characters too. McQuiston writes them all with such care, I couldn’t help but feel connected to them, want to visit these places, want to be friends with these people and experience life alongside them. This makes for a wonderful book to escape into, and I strongly recommend it to anyone looking for a feel-good read about falling in love, finding one’s community, and growing into the best version of one’s self.
Ash is an Instructor & Research Specialist at Central Branch and is a co-facilitator for Reads of Acceptance, HCLS’ first LGBTQ-focused book club. Ash is an eternal lover of coming-of-age stories, especially those that center queer and trans joy.