Calling all anime- and manga-loving teens! Join other like-minded teens the last Wednesday of every month (subject to change) at HCLS Miller Branch for Anime & Manga Club.
What will you be doing there? Glad you asked! Come and enjoy a hangout especially for teens where you can enjoy anime-related programming, a craft or two, and discussions of the latest mangas and animes to hit the scene. You also have the opportunity to get recommendations from staff and your peers for what to read or watch next.
Also learn how you can access anime and manga using your library card through online resources such as Libby, Cloud Library, and Hoopla.
The next meeting of Miller’s Anime & Manga Club takes place Wednesday, November 30 at 6 pm. We hope to see you there!
Peter is an Instructor and Research Specialist at the Miller Branch who desperately hoped that the digital world and Digimon were real when he was a kid, and still remembers seeing the first Pokémon movie in theaters and crying with Pikachu when Ash “died.“
Not to be dramatic, but The Last True Poets of the Sea by Julia Drake is one of the most underrated novels I’ve read. It received positive reviews from Booklist, Kirkus, School Library Journal, and Publisher’s Weekly – and yet it still seems like not many people know about it. That’s why I eagerly recommend it whenever I can!
Violet Larkin is a wild child – partying and doing all manner of things that a 16-year-old girl probably shouldn’t be in New York City. After her younger brother attempts suicide and her own reckless behavior worsens, her family sends her to stay with her uncle for the summer in the small coastal town of Lyric, Maine.
Descended from a shipwreck survivor who supposedly founded Lyric, Violet is convinced that disaster runs in her blood. As she struggles with inner turmoil, she becomes determined to uncover the long-lost location of that shipwreck and the truth of her family history. With the help of new, unexpected friends, Violet discovers so much more – about herself, about love in all forms, and about surviving the emotional wrecks of life.
After Violet starts working at the local aquarium in Lyric, the story seems like it might include a very “boy meets girl” romance with her coworker, but it delightfully diverges into something more refreshing. While there is a slow-burn teen romance with a bit of a “twist” love interest, that is far from the focal point of the book. I would say the core of the story is the complexity of mental health and the importance of allowing oneself to be (safely) emotionally vulnerable. The narrative balances the mending of relationships within Violet’s family, the importance of Violet building new friendships in Lyric, and the development of Violet’s relationship with herself.
It is such a beautiful story of healing and connection. I really appreciated how Violet, an amazingly complex teen protagonist, opened my eyes to how mental illness and trauma can impact and manifest in such different ways depending on each person. For someone such as myself, anxiety typically causes retreating into oneself, isolating, and fearing the outside world. Social anxiety and generalized anxiety can really go hand-in-hand in this way, at least in my experience.
However, for Violet, her anxiety – the storm she feels inside but doesn’t know how to healthily cope with – is sometimes the catalyst for her extroverted, often-risky behaviors such as partying, (underage) drinking in social settings, and flirting with much older men. Over the course of the novel, I grew to understand why someone like Violet might engage in those types of behavior (that would personally make my anxiety even worse) as a means of trying to avoid their inner struggles.
This is a YA novel that I think can help so many people, teens and adults alike. It shows the importance of communication, self-love, healthy interpersonal relationships, and being kind to oneself while growing up. It challenges the idea that teens who “act out” are “bad” or “broken,” instead showing the nuanced reasons why unhealthy coping behaviors are used by young people who are struggling. Not to mention that it is beautifully written with crossover appeal for both YA and adult fiction readers.
The characters of The Last True Poets of the Sea settled into my heart and have made a permanent home there. I read this book for the first time over a year ago and I still can’t stop thinking about it. When a book lingers with you long after you finish the final page, that tends to be a good sign. I loved it so much, I bought my own copy and I’m planning on re-reading it during my own trip to Maine this summer! If you’re interested in a contemporary coming-of-age story, I really hope you give this one a read.
Ash is an Instructor & Research Specialist at Central Branch and is a co-facilitator for Reads of Acceptance, HCLS’ first LGBTQ-focused book club. Their favorite place to read is spread out on a blanket under the shade of the tree.
R. Eric Thomas is a Baltimore-based television writer, playwright, and the bestselling author of Here for It: Or, How to Save Your Soul in America and Reclaiming Her Time: The Power of Maxine Waters. He is also the (temporary) Prudie, answering questions for the Dear Prudence column in Slate magazine through mid-summer.He is visiting in-person at the Elkridge Branch + DIY Center on Wednesday, June 15 at 6:30 pm. He will be discussing his debut young adult novel, Kings of B’more. I had the wonderful opportunity to read an advance copy, and I am so excited to share it with you.
Have you ever seen Ferris Bueller’s Day Off? In the popular movie from the 1980s, the title character, a high school student, skips school to take his best friend and girlfriend on a whirlwind adventure all over Chicago. When the main character of Kings of B’more, Harrison, learns that his best friend, Linus, will be moving to South Carolina in just a few days, he is inspired by the movie – which his dad has just made him watch – to plan an adventure all around Baltimore for the two of them. Despite his grand ideas and the help Harrison enlists, things (of course) don’t quite go as planned. The boys manage to have an epic day nonetheless.
Throughout the book, I was struck by the beauty of the friendship between Harrison and Linus. Author R. Eric Thomas captures a fresh, unique voice and perspective for each of them while highlighting the ways in which they complement one another. They can have entire conversations with their eyes, they see and value the truth of each other, and they show their affection in ways large and small. As two Black queer young men, they certainly face some challenges. But Harrison and Linus support one another as each discovers his own way to take on the world. I thoroughly enjoyed the language that Thomas uses, with vividly descriptive passages that bring the surroundings to life. Baltimore really becomes another character in this story, not just the setting.
With ups and downs and so many adventures, Thomas has packed an entire coming-of-age tale into a story taking place over a single weekend. The growth each character experiences occurs in a way that is completely natural in terms of what they are going through. Harrison and Linus feel authentic and well-developed, and I was so glad to get to know them as I read. Despite a very satisfying ending, I would love to know what happens next. And I am definitely planning my next foray into Baltimore as soon as possible!
I hope you will join us at the upcoming author event to hear more from R. Eric Thomas, ask questions, and consider purchasing a book for signing (if you want).
Eliana is aChildren’s Research Specialist and Instructor at HCLS Elkridge Branch. She loves reading, even if she’s slow at it, and especially enjoys helping people find books that make them light up. She also loves being outside and spending time with friends and family (when it’s safe).
Consider this: every fairy tale you’ve ever heard is at least a little bit true. The Kingdom of Avalon is full of castles and magic, Alice really did travel all through Wonderland, and most of all – magic? Definitely real.
But at the exact same time, Rin Chupeco manages to surprise readers with twists on each story. Avalon is frozen (literally and metaphorically!) outside of time, Alice was a warrior, and all that magic has rules and regulations in ways that seem to make sense when you look around at the modern world.
The book opens in the Royal States, a monarchical version of the U.S., where everything is almost exactly the same as reality with the exceptions of a king and quite a bit more magic. The story even involves governmental agencies, with ICE taking on a prominent (and punny!) role throughout the course of the plot.
The hero here is a young girl named Tala. She comes from an incredibly powerful legacy, with her family hailing from both the Philippines and Avalon. Her entire lineage is made up of magic, despite being convinced that she lives in the most boring town in the entire Royal States, and she’s been told that she’s fairly powerful, too. She’s hesitant to believe it, though, considering her powers are exclusively centered on disrupting magic.
Her life changes in a big way when her family is called to protect the Crown Prince of Avalon, Alexei, who is the sole survivor of the royal family and has been in hiding for his whole life. Alexei’s dream is to revive his home country and take back his homeland by breaking the curse of the Ice Queen. In the meantime, though, he and Tala become fast friends, and he manages to enjoy a little bit of a normal high school, being sheltered by the Makiling clan, Tala’s super powerful family.
When the Firebird, the symbol of Avalonian royalty, finally arrives, Tala and Alexei are thrown into a whirlwind adventure, accompanied by the children of Avalon’s best and brightest heroes. All of them have something to prove and they don’t always get along, but they do come together to save a country they’ve all loved and longed for from afar.
You see, this whole book is a thinly veiled analogy for the immigrant experience and various facets therein. Tala’s whole family is Filipino, and she’s never been to the Philippines but longs to know more about her culture. Alexei had to leave Avalon as a child, forced out by war. The rest of the group that accompanies Tala and Alexei on their adventure also have varying levels of connection to Avalon: some have fond memories of childhood there, others have most of their family members stuck behind the border.
Chupeco makes it clear, through Tala, that regardless of how connected to country she is, she can still fully claim her heritage. Tala is told by trusted adults time and time again that she belongs, and Chupeco makes it even more explicit when she writes, “Just because you’ve never been to the Philippines doesn’t mean that their rivers don’t course through your blood. It doesn’t mean you don’t have their mountains in your eyes. It’s not where we are, it’s who we are. You’ll always be both a Makiling and a Warnock, and always a Filipina. Never forget that.”
I will say that some of the worldbuilding was a touch heavy-handed, and I had to go back and forth on the rules of magic and power in this universe Chupeco creates. Those moments could have benefited from a bit less, but they did not take away from the heart present in every chapter. First and foremost, this is a story about family, ones that are forged by blood and those that are found through friendship. For readers who are interested in YA fantasy, with an incredibly diverse and vibrant cast of characters who talk about the immigrant experience and recognize just how important food is as a bonding tool, this is the book for you.
When I started working here at the library, my favorite section to get acquainted with was the graphic novel section. One reason for this was the rate at which I could find LGBTQ representation; I’ve joked with friends and colleagues that sometimes I feel I have a ‘sixth sense’ for intuitively knowing whether an artist is queer based on their art style or the design of the book’s cover.
Sometimes there are subtle clues about the book’s content, and sometimes there is something overtly LGBTQ-related about the cover, title, or summary. Gender Queer: A Memoir by Maia Kobabe (pronouns: e/em/eir) falls into the latter category on all counts. As soon as I heard the title alone, I knew I needed to read it.
Gender Queer is a memoir, formatted as a graphic novel, that recounts Kobabe’s experiences regarding gender and sexuality throughout eir childhood, adolescence, and young adulthood. At its core, it is a book that addresses what it means, in Kobabe’s personal experience, to be nonbinary, queer, and asexual. As e explains in a Washington Post op-ed, Kobabe primarily wrote this as a way of explaining eir nonbinary identity to eir parents and extended family. However, Kobabe’s story has reached much farther than that, garnering praise from readers, reviewers, and the American Library Association (ALA).
In my opinion, as a nonbinary reader, Gender Queer is so remarkable because there is nothing else quite like it. Through a talented combination of text and illustration, Kobabe addresses complex intersections of gender and sexuality with such specificity that I was honestly blown away. Never before I had felt so seen and understood by a piece of media. One of my favorite passages addresses the struggle to achieve a balance of ‘masculine’ and ‘feminine’ gender expression when society is set on placing you on one side of the gender binary. I truly don’t have the words to fully express how meaningful this is to me… so let me share a brief anecdote instead:
Around the time I was re-reading the book to prepare for this review, one of my (fellow nonbinary) friends texted me regarding a conflict they felt over an article of clothing they wanted to buy because they were concerned it would be read as ‘too feminine.’ Within our text conversation, I sent my friend two panels from the book.
My friend’s response? They related so much that they started crying in the bathroom on their lunch break at work.
Even for those of us within the LGBTQ community who have come to terms with our identities, have community support, and hold privilege (whether it be whiteness, financial stability, ability, etc.) that improves our overall life outcomes – it is still hard to exist in a heteronormative society structured around the gender binary. At best, it is exhausting and invalidating, which still takes a hit to one’s mental health.
Now imagine being a young person who lacks community support, lacks independence, and is questioning or struggling with accepting their identity.
Books such as Gender Queer not only educate – they provide invaluable support to queer, trans, and questioning readers who need to see affirming, accurate, and nuanced representation. When we say these books can be a lifeline for readers, that’s not an empty statement; suicidality is significantly higher amongst LGBTQ youth, especially those who are trans, in comparison to their non-LGBTQ counterparts.
Unfortunately, in the past year there has been a national surge – including in Howard County – in attempted censorship of LGBTQ books in school classrooms and media centers. Gender Queer has been one of the most controversial titles due to its frank discussion of (queer) sexuality and, to a lesser extent, gender dysphoria.
This trend – the challenging and banning of books that contain content regarding sex, LGBTQ identity, or both – is not new. What is new is the influential role of social media and the internet, which allows far-reaching communication between book challengers and can create even more oppositional fervor towards the books that they have deemed “obscene,” “pornographic,” and so on.
One of the problems with this overall pattern, however, is it increases divisiveness in public discourse. Parents, students, educators, librarians, and policymakers need to discuss these topics with the nuance, open-mindedness, and compassion necessary to truly educate and uplift youth. Instead, we are faced with a proliferation of outrage that doesn’t “protect” anyone – least of all LGBTQ youth.
Some opponents are unapologetic in their homophobic and transphobic motivations, quite literally demonizing anything they hear is LGBTQ-related. (Do I need to explain further why these messages are extremely harmful to LGBTQ folks?) Other opponents claim they have no problem with queer-affirming books, but take issue with the books that contain passages regarding sex. I can understand where these folks are coming from – however, I would push back against the idea that teens need to be shielded from the type of “sexual content” that is in Gender Queer. This book isn’t meant to titillate – it is meant to inform, based on Kobabe’s own experiences of adolescence and young adulthood.
So, before jumping to the conclusion that this book is inappropriate for high schoolers, consider Kobabe’s perspective:
Kobabe’s work gives language to some of the complexities that lie at the intersections of gender and sexuality. And with representation of asexuality and nonbinary genders still in short supply, Gender Queer is a much-needed addition. Mainstream narratives about LGBT people in the past few decades have often represented people who have “always known” they were transgender or “knew since they were three years old” that they were gay. But many of us do not have that experience. Many of us are in the dark about our true selves, until someone shines a light on all the possibilities of what queer existence can look like. Gender Queer has and will continue to have that positive impact on teens and adults alike.
I hope this review will encourage you to see the value in this book for a variety of readers, LGBTQ or not. I urge you to read the book for yourself – and truly reflect on it. Print copies of Gender Queer: A Memoir can be requested to borrow here.
Want to skip the waitlist? Your HCLS account also grants you access to the eBook version of Gender Queer onhoopla, a platform that allows titles to be streamed immediately or downloaded to devices for offline enjoyment later. For assistance with hoopla, view the tutorial on our website, visit your local branch, or reach out to us with your questions.
Ash is an Instructor & Research Specialist at Central Branch and is a co-facilitator for Reads of Acceptance, HCLS’ first LGBTQ-focused book club. This time of year, they are especially fond of reading while cuddling with their golden retriever and sipping hot cocoa or tea.
In Fifteen Hundred Miles from the Sun, Julián Luna is determined to make the most of his senior year of high school. He has plans on how he’ll make that happen: spending as much time as possible with his best friends, playing soccer, graduating, getting into UCLA, and, oh – making sure no one finds out that he’s gay. Especially not his father. But despite this secret he’s keeping, he manages to make the most of things, spending time with his tight-knit friend group. Until, of course, one day, just scrolling through Twitter, he sees pictures of a boy. Immediately, there’s a connection, and when they start texting and speaking more, Julián finds himself falling for the boy, Mat. The issue, then? Well, other than the fact that Julián isn’t out, he’s also in Corpus Christi, Texas, and Mat lives in Los Angeles. Despite the distance, the two boys start learning about each other, falling for each other, and hoping for a future together. But time, distance, and unplanned coming-outs get in the way.
Garza Villa is honest about hardship from the start of the book, even writing in the dedication ““To all the queer brown boys still waiting for their chance to bloom. Quisieron enterrarnos, pero no sabían que éramos semillas.” They want to bury us, but they don’t know that we are seeds. That thread flows through the novel, including candid conversations about machismo in Latinx culture, religion’s intersection with homophobia, and conversations about bullying. And yet, despite the list of trigger warnings at the top of this review, the novel is intentionally not centering trauma in Julián’s life. Every moment of pain is followed by immediate love, support, and care. Garza Villa takes pains to ensure that joy is the central theme around which the rest of the story is built; of course Julián faces hardship, but he is never truly alone in how he responds to those traumatic moments. The idea presented in the dedication, “we are seeds”, is exactly how Julián responds to all the hardships in his life. He was buried deep, and with careful nurture, love, and support from his family and friends, he manages to bloom into something beautiful and loving, breaking the cycle of abuse.
This book was wonderfully illustrative. I lost myself in Julián’s friend group, found myself falling in love with Mat along with Julián, and waiting with bated breath for college acceptance letters. But most significantly, I was swept up in a celebration of culture, cuisine, friendship, and queer joy. There is real heart here; Garza Villa paints an honest picture of the ways falling in love and doing long distance just as easily as he manages to bring to life all of the different characters that make up Julián’s friend group, who each are so vivacious and full of life without becoming caricatures.
This book is perfect for any teens looking to find themselves, or adults who know that the blooming never stops. That if we are seeds, we will continue to grow, season after season.
Sahana is an Instructor and Research Specialist at the Savage Branch. She enjoys adding books to her “want to read” list despite having a mountain of books waiting for her already.
Ok, I’ll admit it: I love Halloween but I’m not the biggest fan of scary things. You won’t catch me at a movie theater watching the latest film from the Halloween franchise or reading IT by Stephen King. I tend to focus on the lighter side of the season. Yet, when I was browsing through some of the oversized books that live upstairs at the Miller Branch, I stopped at a bright teal atlas filled to the brim with whimsical illustrations and trips around our world. However, instead of historic sites and tourist destinations, this atlas is filled with MONSTERS and GHOSTS!
Atlas of Monsters and Ghosts by Federica Magrin, with immensely detailed illustrations by Larua Brenlla, takes readers on a ghastly trip to hunt down the most fearsome creatures known to humanity. Each continent is covered throughout the pages, highlighting monsters and ghosts with cultural significance. I’m sure most of us already know of Bigfoot, King Kong, and the Boogeyman through classic stories and tales. But have you heard of the Smok Wawelski from Poland, a fearsome dragon from the cave at the foot of Wawel Hill? Or Krasue, the spirit from Thailand with the floating head who feeds on anything in her sights? These monsters and spirits are not only highlighted, but their stories are tied in with learning about each country’s tales and fables. One particular feature of the atlas that I enjoyed was that it gave special sections to the monsters and spirits of Greek Mythology and the ones from Japanese folktales, both of which have been spotlighted in various other stories, movies, and video games.
One fair warning for all my budding Monster Hunters: some of these stories, no matter your age, are not for the faint of heart despite its art style and its publisher, Lonely Planet Kids. Nevertheless, it was an interesting, spooktacular read, one that may send a chill up your spine, but which will definitely teach you something new along the way. What I learned is to not visit the places where these creatures have been spotted! I think I’ll opt for a warm beach instead.
Since the onset of the coronavirus pandemic, I haven’t had the desire nor the motivation to read. I know that’s a horrible thing to say as an employee of a library (a 5-Star Library system as a matter of fact), but it took me quite a while to get back into reading novels. So you know what I did? I did what I’ve suggested to many a parent who has come in trying to find something to get their child to like reading; I picked up a graphic novel.
Graphic novels can be about literally hundreds of subjects across any number of genres. Many authors have written wonderful original stories as well as graphic representations of classic novels. When a parent needs a suggestion for a book for their reluctant child or when someone wants something interesting to read, I almost always suggest a graphic novel. Why? Well, as a visual learner, I find myself more engaged with the story and with the characters when I see them visually represented, and it’s easier for my brain to follow along without distraction. Since the start of the pandemic, I’ve read graphic novels for adults, teens, tweens, and children. From the many I’ve recently read, here are six picks that teach everyone to be who you are unapologetically, and if you can, be a little magical, too.
What I loved about this book is that it challenges the gender norms in Aster’s family and society. In his family, the girls are raised as witches while the boys are raised as shape-shifters. But that isn’t who Aster is, and he practices in secret since it is forbidden for boys to study magic. He desperately wants to be a witch but is afraid of his family finding out. When trouble brews and his magical skills are what’s needed to help save the day, he has to find the courage within himself to be who he feels in his heart that he is meant to be.
Many will see the similarity between the events of the Salem witch trials and the events of Founder’s Bluff in this book. Moth has always loved all things witchy and magical, so when her powers emerge, she is immediately thrust into a world where the history of her hometown is intertwined with that of her own family. She discovers that her mother was once a member of a powerful coven of witches who separated from a world that despised them but broke away to live a life free of magic. As she discovers this history, she must come to terms with being a witch (which she finds kind of cool) along with the existence of people in town descended from those who discriminated and hated her family and those like her. What’s a fledgling young witch with a talking cat to do?
Beetle and the Hollowbones is a tale of outgrowing what society expects you to be, standing up for your friends even if it means standing up to them, and embracing and loving who you are. Much like the Witch Boy, Beetle is a goblin and goblins are only supposed to do a specific type of magic and none other. One day she meets Blob Ghost, a, well, ghost blob haunting the local mall that is inexplicably tied to its location. So when the mall is due to be demolished, it is up to Beetle to find out why he’s connected to the mall and rescue him. Along the way she reconnects with an old friend (and love interest) who needs to be reminded about their friendship, who they are, and to stand up to family even if they are family.
How would you feel if your life was turned upside down and inside out all of a sudden? That’s what happens to Effie. Having lost her mom and the only home she ever knew, she is suddenly taken to live with two estranged aunts. Once there, Effie learns more about her family than she ever thought possible, including the fact that they can do magic! This newfound knowledge and ability is almost too much for Effie, and it rears its ugly head at the worst of times. She soon starts to accept that this is her life now, that magic is a part of it, and that zany things are going to happen, including helping one of her favorite singers when she comes to Effie’s aunts for help with a nasty curse.
Snap’s town has a witch. Maybe. Possibly. At least that’s the rumor going around. When Snap needs help from the town “witch”, she learns that there’s more than meets the eye and discovers the power she has within herself. Aside from the super cool supernatural elements, the characters are all a delight to read. And especially the children. They’re the perfect example of prejudice being made, not born, because when given an upbringing that doesn’t include any of that, they can be perfectly accepting of everyone around them without thinking it’s “weird.” They celebrate and encourage uniqueness.
What happens when three friends are brought together by unforeseeable circumstances and their group, particularly young sand dancer Oona Lee, is what stands between saving the five worlds and their destruction? Oona must find the power within herself that she didn’t know she had, as well as the confidence to travel the five worlds, light all the beacons, and fend off attacks from the evil hiding in the shadows. Between all of this, she has to save her friend An Tzu, who also has mysterious origins and a tie to what can save everything, from a mysterious ailment. Beautiful art, rich characters, and full of world-building elements, you’ll love this series!
Disclaimer: There are a number of graphic novels on the same subject but these are only the most recent I’ve read. Please visit any Howard County Library branch to learn more!
Peter is an Instructor and Research Specialist at the Miller Branch and LOVES graphic novels and dogs. Especially fluffy dogs.
School may be out for the summer, but that doesn’t mean there aren’t hot new summer book releases that are set in school…
If you enjoy contemporary YA fiction full of heart, humor, and drama, look no further than The (Un)popular Vote for your next summer read!
Mark Adams has grown up immersed in American politics, being the son of Graham Teagan, a prominent congressman. However, none of his new classmates realize who his father is, nor does the country realize Congressman Teagan has a son. Why? Mark is transgender, and has agreed to start at a new school and keep a low profile – as a cis-passing, straight-passing guy with no relation to Congressman Teagan – in order to maintain his father’s public image.
However, between homophobic bullying of one of his friends and an upcoming student government election with candidates of dubious intent, Mark is spurred into action in pursuit of justice… by campaigning for student body president. Along the way, he must also navigate a burgeoning romance, unstable friendships, the disapproval of his father, and an investigative school journalist attempting to unravel his past for all the internet to see.
This debut novel from Jasper Sanchez will appeal to teens and adults alike, especially lovers of The West Wing and The Politician, the latter being an especially fitting comparison given the precocious, serious, determined nature of the high school characters in both The Politician and The (Un)popular Vote.
Sanchez does not shy away from having his characters show off their AP-level political and philosophical knowledge, and I will admit that many references went over my head. Nonetheless, I think the writing style makes this an accessible and engaging read. I truly struggled to put it down and always looked forward to getting a chance to read more, so I tore through it rather quickly and would happily read it again!
The romance was even better than I expected, and I felt it was well-balanced along with the development of the student presidential campaign, Mark’s personal growth, and the rising tension between Mark and his father. Mark’s love interest was so sweet – honestly a standout character for me – and the dynamic between him and Mark was immaculate. I am always a sucker for the mutual pining trope, and Sanchez beautifully develops the bond between these two characters as they become closer while each grows as an individual.The (Un)popular Voteis both my favorite queer YA romance and my favorite trans-led novel since Cemetery Boys by Aiden Thomas! (Side note: our Reads of Acceptance book club will be discussing Cemetery Boys on September 20 and I’d love to see you there!)
Much like Cemetery Boys, The (Un)popular Vote is a refreshing example of a trans protagonist who has already transitioned before the first page of the book. Many mainstream representations of trans experiences, especially portrayals of trans youth, primarily deal with the questioning of one’s gender and the beginning stages of transitioning. Those stories are important, of course, but it is equally important to show trans people already living as their authentic selves.
From the beginning, Mark is comfortable in his gender identity and is already out to himself, his parents, and his two best friends. Mark wears a packer and a binder daily, being mindful to bind safely, and this type of gender-affirming behavior is casual and normalized. His gender-related arc is not about the typical narrative of figuring himself out, or dealing with internalized transphobia, or even about coming out. Rather, and more interestingly in my opinion, it’s about the promise he made to his dad to remain ‘stealth’ in his transition; in other words, Mark is assumed to be a cisgender male by his classmates, and that’s how the situation should remain according to his father.
And while Mark is repeatedly referred to by the wrong name and pronouns by his father – who is incredibly dismissive and toxic towards Mark – this book was ultimately a very feel-good experience as a queer, trans reader. There is no forcible outing and no transphobia from anyone within Mark’s circle (besides his dad). Mark’s friend group includes a neat variety of LGBTQ representation that felt organic, not tokenized, and these characters are nothing but supportive of each other’s identities. There are quite a few of them, and while I got a little confused at the beginning as I tried to keep track of names, I soon was able to distinguish each character from one another because they felt like individual people, not just words on a page.
As for Mark himself, I found him to be a likeable and realistically flawed protagonist. He makes mistakes in his relationships that I found relatable and understandable, creating conflict to advance the plot and character growth without making me too frustrated at Mark. Themes regarding privilege, inequality, politics, and social change are woven throughout in a meaningful way as Mark experiences conflicting feelings regarding his own privilege, his ego, his family history, and his genuine desire to help the student body. Sanchez is also able to briefly yet poignantly integrate messages about toxic masculinity and feminism from a transmasculine perspective in a way I had yet to read in YA literature, and I very much appreciated it!
Sanchez certainly gives weight to the issues that demand it, including instances of bigotry happening at the school in addition to Mark’s struggles with his dad. Ultimately, though, this novel is an uplifting pleasure to read, infused with plenty of queer joy, chosen family, resilience, and hope. The (Un)popular Vote is exactly the type of book I wish I had when I was in high school and am happy to read as an adult. I’m so grateful that it is available to teens today. Request a print copy today!
Ash is an Instructor & Research Specialist at Central Branch and is a co-facilitator for Reads of Acceptance, HCLS’ first LGBTQ-focused book club. Ash is an eternal lover of coming-of-age stories, especially those that center queer and trans joy.
“In space, the stars don’t twinkle. Apparently, twinkling only happens when you look at the stars through the atmosphere of a planet.“
For months I had noticed the Space Boy series by Stephen McCranie on the graphic novel shelves, and while it looked interesting, I never picked it up. That all changed a couple of weeks ago when I decided to check out book one and there it was: that moment when you start reading and wonder “why in the world didn’t I read this sooner?” I was hooked. And ultimately glad I had waited, because by now I had eight volumes to catch up on and I wouldn’t have to wait for more…at that immediate moment that is.
Book one starts out with a short introduction to Oliver, a boy who is filled with emotion and yearns to express it, yet is confined to what he calls the Nothing. There is immense loneliness in his opening thoughts, and we come to experience that the Nothing has taken almost everything away from him. Things shift to Amy, a young girl living on a mining colony in deep space. The colony is all she knows, but when her father is fired there comes the biggest change: they must move back to Earth. Leaving behind her home, her friends, and her life, Amy and her family are essentially shipped to Earth on a transport in cryogenic suspension. Thirty years pass by the time she reaches Earth and the implications soon hit her. Life has moved on and so has Jemmah and her other friends. Starting anew on a new planet, a new home, and a new school, Amy begins to acclimate to her environment. She makes new friends and starts to adjust. But along the way she meets Oliver, a boy with no flavor. See, she has the ability to identify another person’s flavor by looking at them. But with Oliver there is no flavor until she finally glimpses something through his stoic and expressionless exterior. There’s got to be more to him, and boy is there ever!
At this point I was hooked. The mystery, intrigue, and space exploration drew upon my love of space opera and I found myself devouring volume upon volume along with what was available to read on WebToons. Finally, there was no more and I fell upon that age-old waiting game. Subsequent volumes expand on the mystery behind Oliver, the secret organization that is pulling all the strings, and just what awaits out in space.
You can find volumes 1 – 10 available to reserve and checkout through the Howard County Library System website.
Peter is an Instructor and Research Specialist at the Miller Branch and has entirely too many books on his to-read list.