I Kissed Shara Wheeler by Casey McQuiston

A pale blue background shows a blonde girl holding up a a pink envelope with three red "kisses" around the title. The envelope reads, "To get the girl, first you have to find her."

by Ash B.

I previously shared a review for Casey McQuiston’s One Last Stop, and I’m happy to report that their YA debut, I Kissed Shara Wheeler, is an absolute pleasure to read as well.

A contemporary coming-of-age story with a mystery twist, I didn’t want to put down this temptingly readable book once I was pulled into the story. Popular girl Shara Wheeler has the audacity to pull a disappearing act a month before graduation. Chloe Green, academic rival of Shara and protagonist of the novel, wants nothing more than to bring her back in time to see Chloe win valedictorian – because what’s the point of winning without a worthy competitor?  

For better or worse, Shara left behind a trail of clues designed specifically for the three people she kissed before disappearing – her quarterback boyfriend Smith, the boy-next-door Rory, and quite shockingly, Chloe. Shocking mostly because Shara – little miss perfect, daughter of the principal, and “it girl” of their small Alabama town – is, as far as anyone knows, entirely straight. However, the set-up of the novel makes it pretty clear that this is an enemies-to-lovers type of situation. The rivalry and frustration Chloe feels regarding Shara – really a mask for their magnetic attraction – is high-grade narrative fuel. What made me fall in love with the story, however, is the friendships that Chloe develops with Smith and Rory. 

Chloe, Smith, and Rory come from different tiers of the Willowsgrove High hierarchy. They don’t appear to have anything in common, aside from a connection to Shara. However, the more time they spend together, the more the dynamic shifts, and the more they learn about each other and themselves. By spending time with Smith and Rory, and their respective friend groups, Chloe realizes that the way she’s looked at many of her peers has been flawed. 

When it comes to stories set in high school cliques, I often proverbially roll my eyes, unconvinced that heavy-handed stereotypes of jocks, nerds, goths, prom queens, and such represent the average teen experience. I Kissed Shara Wheeler incorporates student group dynamics in a way that feels realistic and reminds me of my high school experience (Mt. Hebron, Class of 2015, what’s up!). The different social circles are often based on interests and activities – student athletes, band kids, and theater kids. However, each of those kids is nuanced, and the groups can overlap.  

For example, Ace plays on the football team with Smith. He tried out for the school play and snagged the lead, and Chloe’s group of artsy, queer, nerdy friends assumed Ace did it as a joke. However, Ace is a big musical theater fan and always dreamed of being in the school’s productions. He was nervous to audition, let alone star, mainly because he was concerned about being teased by the football crew. There certainly are some rude, insufferable jocks at their school – one in particular displays misogynistic, sexually objectifying behavior towards Chloe. There are also jocks like Ace and Smith, who are kind, who try to shut down the misogyny of their peers, and who have other interests besides sports… but are pigeonholed. It’s very much like Nick (the love interest) in Heartstopper by Alice Oseman

One of my favorite scenes happens at the senior theater party, where we hear Ace confess to Chloe about auditioning and preparing for the school musical. It shifts Chloe’s perspective about Ace, and it opens her mind to what all her other peers might be going through. Also, we get a lovely interaction when Ace and Smith get their makeup done by Chloe’s artsiest friend Ash, who happens to be nonbinary – which results in a conversation about gender that leads Smith to start questioning his gender identity:

“You know… if being a guy feels like something you have to do, like it’s an obligation or something,” Ash says carefully. “Maybe think about that.” 

I’m not going to lie; it’s pretty cool to see a fellow nonbinary Ash reflected in a book I love, especially when the character gets lines like this. I lived for this conversation! 

Overall, this was such a fun, joyous read. McQuiston relied on beloved tropes and archetypes that feel both familiar and fresh, thanks to the way they are subverted. Serious subjects are explored without being insensitive. The dramatic tension quickly propels the narrative forward, but there are also plenty of laughs along the way to keep the reader from feeling too stressed. (Seriously, how is CMQ so seemingly-effortlessly funny in their writing?)  

Perhaps best of all, the queer friendships are exactly what I think many readers will hope for. The ending is satisfying, with the youth banding together and standing up to ‘the system,’ and starting the work of unlearning the harmful messages that they’ve internalized so they can fully accept themselves and each other. If you’re interested in a compelling mystery full of warmth, hilarity, and character growth, check out I Kissed Shara Wheeler by Casey McQuiston in print, e-book, or e-audiobook.

Ash is an Instructor & Research Specialist at Central Branch and is a co-facilitator for Reads of Acceptance, HCLS’ first LGBTQ-focused book club. Their favorite place to read is spread out on a blanket under the shade of the tree. 

Author Works with Naima Coster: What’s Mine and Yours – 2022 One Maryland One Book 

By Piyali C.

Swatches of color in pale green, beige-pink, cranberry, orange read, and yellow are layered above the silhouette of a town. The swatches resolve to be

Tue, October 4 | 7 – 8 pm
HCLS Miller Branch
Register at this link. 

The theme for One Maryland One Book this year was “new beginning.” As a member of the selection committee, I was assigned to read What’s Mine and Yours as a potential title. It took me a while to recognize the theme in this story, but I realized that instead of the theme being overarching, hope or a new beginning, operates somewhat cyclically in this novel.  

The story opens with the prospect of new beginnings – two men stand at the cusp of a beautiful, happy life. Two fathers share a cigarette and a brief conversation one day about their dreams surrounding the amazing lives that they envision for their children. However, disaster strikes soon after and the lives of both those families take vastly different turns than what the fathers dreamed.  

The story revolves around two families who confront each other over a busing initiative in 2002 in Piedmont, North Carolina. Jade has suffered an immeasurable loss in her life already. Now she wants her only son, Gee, to get all the opportunities that she did not have so he can become a successful, sensitive Black man in America. After her husband is incarcerated, Lacy May, a White woman, is equally determined to keep children like Gee away from her White-passing, biracial daughters. She does not want them influenced by the children from the east side of town at their predominantly white school.

However, Gee and Noelle, Lacy May’s eldest daughter, become friends, which soon turns into more when they meet during a school play. The lives of these two families intersect despite the mothers being on opposite sides of the debate over the county’s decision to enforce integration. The busing initiative provides the primary conflict, with the repercussions manifested in the adult lives of the central characters – Jade and Gee, Lacy May and her three daughters. Despite the different directions each character grows, they all manage to find their new beginnings by the end of the book, in big ways and small.  

Although the story begins in Piedmont, North Carolina, the issues addressed in What’s Mine and Yours are relevant to other parts of United States, including in Maryland and even Howard County. The theme of school desegregation to address socioeconomic disparity is especially pertinent as The Baltimore Sun reports, by 2014, Maryland was the third most racially segregated state in the nation, with one-quarter of its schools considered highly segregated.  

The integration efforts described in the book will touch a relatable chord and inspire interesting and, hopefully, productive discussions. While the story revolves around an effort to desegregate schools, the book explores other, hugely relevant issues, such as the struggles of Black teens trying to prove that they are good enough to be in a White-dominated world, the question of why they have to prove that they are good enough, White-passing biracial people and issues that they deal with, complicated relationships between lovers, sisters, LGBTQIA+ identity, infidelity, abortion, and miscarriage – all things relevant to our present moment. 

We are thrilled that Howard County Library system is the only public library in Maryland on author Naima Coster’s six-stop tour! 

A young Black woman with short curly hair, wearing a black V-neck shirt stands by a wall painted in flowers.

Naima Coster is a graduate of Yale University, Fordham University, and the Columbia University School of the Arts where she earned her MFA. She has taught writing for more than a decade in community settings, youth programs, and universities. She currently teaches in the low-residency MFA program at Antioch University in L.A. She is a 2022 mentor for the Periplus Collective.

One Maryland One Book is a program of Maryland Humanities. This project was made possible in part by the Institute of Museum and Library Services and the Maryland State Library. We would also like to thank our valuable partners Howard County Poetry and Literature Society (HoCoPoLitSo) and the Office of Human Rights & Equity (OHRE) and the Last Word bookstore.  

What’s Mine and Yours is available in print and e-audiobook

Piyali is an instructor and research specialist at the Miller Branch of HCLS, where she co-facilitates both Global Reads and Strictly Historical Fiction and keeps the hope alive that someday she will reach the bottom of her to-read list.
 

Fifteen Hundred Miles from the Sun by Jonny Garza Villa

The book cover shows a young man on the left, holding a soccer ball behind a net and looking at his cell phone, and a young man on the right in a maroon and white hoodie with his hands in his pockets. Between them is an isolated image of two hands clasping. There is a pink and peach-colored bright but cloudy sky in the background, and the title lettering is in teal green.

By Sahana C.

TW: Parental abuse & abandonment, homophobia & homophobic slurs, bullying 

In Fifteen Hundred Miles from the Sun, Julián Luna is determined to make the most of his senior year of high school. He has plans on how he’ll make that happen: spending as much time as possible with his best friends, playing soccer, graduating, getting into UCLA, and, oh – making sure no one finds out that he’s gay. Especially not his father. But despite this secret he’s keeping, he manages to make the most of things, spending time with his tight-knit friend group. Until, of course, one day, just scrolling through Twitter, he sees pictures of a boy. Immediately, there’s a connection, and when they start texting and speaking more, Julián finds himself falling for the boy, Mat. The issue, then? Well, other than the fact that Julián isn’t out, he’s also in Corpus Christi, Texas, and Mat lives in Los Angeles. Despite the distance, the two boys start learning about each other, falling for each other, and hoping for a future together. But time, distance, and unplanned coming-outs get in the way.  

Garza Villa is honest about hardship from the start of the book, even writing in the dedication ““To all the queer brown boys still waiting for their chance to bloom. Quisieron enterrarnos, pero no sabían que éramos semillas.” They want to bury us, but they don’t know that we are seeds. That thread flows through the novel, including candid conversations about machismo in Latinx culture, religion’s intersection with homophobia, and conversations about bullying. And yet, despite the list of trigger warnings at the top of this review, the novel is intentionally not centering trauma in Julián’s life. Every moment of pain is followed by immediate love, support, and care. Garza Villa takes pains to ensure that joy is the central theme around which the rest of the story is built; of course Julián faces hardship, but he is never truly alone in how he responds to those traumatic moments. The idea presented in the dedication, “we are seeds”, is exactly how Julián responds to all the hardships in his life. He was buried deep, and with careful nurture, love, and support from his family and friends, he manages to bloom into something beautiful and loving, breaking the cycle of abuse.  

This book was wonderfully illustrative. I lost myself in Julián’s friend group, found myself falling in love with Mat along with Julián, and waiting with bated breath for college acceptance letters. But most significantly, I was swept up in a celebration of culture, cuisine, friendship, and queer joy. There is real heart here; Garza Villa paints an honest picture of the ways falling in love and doing long distance just as easily as he manages to bring to life all of the different characters that make up Julián’s friend group, who each are so vivacious and full of life without becoming caricatures.  

This book is perfect for any teens looking to find themselves, or adults who know that the blooming never stops. That if we are seeds, we will continue to grow, season after season.

Sahana is an Instructor and Research Specialist at the Savage Branch. She enjoys adding books to her “want to read” list despite having a mountain of books waiting for her already.

Tokyo Ever After by Emiko Jean

This beautiful blue cover features the portrait of a young woman, done in paper art She has long dark wavy hair, a tiara and is surrounded by flower. The book has a sticker that says "Reese's YA Book Club" and a mentions "The New York Times Bestseller".

by Piyali C.

High schooler Izumi’s life is relatively uneventful with her single mom, her bad tempered terrier mix Tamagotchi, and her Asian Girl Gang (AGG), comprised of three other girls from diverse ethnicity in their primarily white Mount Shasta High School. Sure, it is not always easy being Japanese American in a mostly white Mount Shasta, California but Izumi has made it work so far. She even changed her to name to Izzy from Izumi for a while to make it easy for others until her friend Noora convinced her otherwise. Izumi’s mother, a Harvard educated botanist, has tried her best to raise Izumi alone with love and support and, for the most part, Izumi is content. She would, however, like to know who her father is. Izumi’s mom refuses to divulge any information about her father. All Izumi knows is that her parents met at Harvard when both were students there, and Izumi is the product of their brief liaison. Izumi’s father does not even know she exists.

One day, while snooping around in her mom’s room ransacking her expensive make-up stash, Izumi’s friend Noora comes across a book Rare Orchids of North America. Noora flips open the book to find a poem in ‘slanted handwriting’ dedicated to Izumi’s mom, Hanako, by someone named Mak. A little research by Noora reveals that the aforesaid Mak is none other than Makotonomiya Toshihito, the Crown Prince of Japan and also Izumi’s father. In other words, Izumi is a princess.

Within days, Izumi’s life is turned upside down when a simple email sent by her to her parents’ common friend inquiring about the Crown Prince results in her father finding out that she exists. She travels to Japan at her father’s invitation, a country she always dreamed of visiting, as a princess, complete with Royal Imperial Guard and cavalcade. But being a princess comes at a cost. Izumi has to navigate palace protocols, conniving cousins, royal etiquette, learning a new language, paparazzi, and her own romantic feelings for the head of her Royal Imperial Guard. On top of all this, she has to build a relationship with her father, the Crown Prince. Both the father and daughter grow and evolve in their relationship as they learn to be a parent and child. But life is not a fairy tale even in this modern day fairy tale. A betrayal of trust almost destroys Izumi’s budding relationship with her extended imperial family, her love as well as her newly found father.

While writing a heart warming, happy story of love and discovery, Emiko Jean very effectively interweaves the universal dilemma of Asian Americans (or any minority for that matter) about whether they belong or where they belong. Izumi is never ‘fully’ American in Mount Shasta, California and she is never ‘fully’ Japanese when she travels to Japan. That uncertainty is true in the lives of most immigrants and the author makes a very convincing case in her delightful novel Tokyo Ever After.

Pick up this book when your brain craves some respite from all that it is dealing with. Let this book take you to a world where you know the end will be happy even if the means to the end is full of twists and turns, ups and downs. Let the story convince you of ‘happily ever afters.’

David Yoon, author of Frankly in Love, sums the book up perfectly – “Emiko’s flair for sumptuous detail —- Food! Castles! Swoony confessions! Court Drama! Cherry blossoms by the million! —locked me up helplessly into a world of splendor I never wanted to leave.” This young adult story elicited a satisfied yet wistful sigh from me as I turned the last page and it also ignited a burning desire to visit the city of Kyoto. One day…..

Tokyo Ever After is available in print and eBook format through Overdrive/Libby.

Piyali is an instructor and research specialist at the Miller Branch of HCLS, where she co-facilitates both Global Reads and Strictly Historical Fiction.

My Teacher Blew Up the Moon: Assassination Classroom by Yusei Matsui

Bright yellow cover has a broad smile and two pinpoint black eyes under the title.

by Khaleel G.

The old saying goes, “Don’t judge a book by its cover” – but what about a title? 

Assassination Classroom is a manga whose title initially repelled me. Even with its bright and simple covers, I looked at a volume, read the back description, and wondered if this was another manga like Death Note. You know, that sort of intensely serious story, full of extended monologues about power and authority, each chapter twisting into the next. Because, after reading Death Note, I was satisfied; I didn’t need another version of that grim-dark comic book. With a title like “Assassination Classroom,” how could this series be anything else?

Well, I couldn’t have been more wrong. Assassination Classroom has an overall story, yes, and it certainly has intrigue: spies and soldiers working in the shadows of government organizations, with alphabet soup names. But mostly, it’s a gag manga. Yes, the manga about a class of teens attempting to kill their omnipotent teacher is, shockingly, mostly about dumb jokes and silly characters learning about themselves. 

One day, the moon suddenly explodes. The culprit makes himself known to the world with a declaration: I will destroy the world in one year’s time, unless I am stopped. He is a monster of superhuman strength and speed, who then demands the world government let him…teach a class of lovable misfits? Did I mention the monster is tentacled, bright yellow, and wears a classical teacher outfit with a robe and square hat? 

In another author’s hands, this premise would be deathly serious in tone. But here, author Yusei Matsui takes all that global turmoil and high stakes and makes it super light-hearted. Koro-sensei (a pun on “to kill” in Japanese) has threatened to destroy the world, yes, but he also wants to actually teach these kids – not only about science, math, and literature, but growing up and being a better person, too. And uh, also firearms, subterfuge, and assassination techniques, as he playfully dodges their barrages of bullets, all while offering praise and critiques.

Over 21 volumes, we meet the students and fellow staff at the school, watching them react to this absurdity. Nagisa, the closest thing to a protagonist we have, was bullied for his small frame, but under Koro-sensei’s tutelage, he learns how to accept himself and be confident. Mr. Karasuma is a military officer charged with overseeing Koro-sensei, but as he teaches both gym and martial arts, he softens into a capable instructor. Even Miss Jelavic, a trained assassin disguised as an English instructor, learns that education is a two-way street – as you teach, you learn more than you’d imagine.

Yes, it is corny! Underneath the global plot to destroy a banana-colored octopus, the story is heartfelt and honest. I was fairly effected by the series’ conclusion, despite the tonal clash throughout. The simple and cartoonish art makes the characters more personable, making both the jokes and earnest conversations more meaningful. No one is some “cool” and impervious hero – they’re students and teachers, goofing off while learning how to be better than they are.

In this way, Assassination Classroom resembles a coming-of-age school story, like Ouran High School Host Club (with guns) or Naruto (but far less serious). Its title hides the lightness of plot, how quickly and jovially it moves from school trip to midterms to holiday breaks. The result is a pleasure to read, for its stream of gags and touching moments, for Koro-sensei’s silly faces and his quips of honest wisdom.

Be aware though – this is a title for older teens and adults. The violence of the series is mostly unserious, but the lives of these students and teachers sometimes share the mature themes of the best of Young Adult literature. Bullies, abuse, and family trauma are the dangers in these characters’ lives, not the moon-destroying creature who can move at Mach-20. Still, this is a comedy series first and foremost, and these more “real” themes come forth only in certain moments, and never in a way that I found triggering.

I really enjoyed my time with Assassination Classroom, and was delighted to see how wrong I was to judge this one by its title.
 
Assassination Classroom is 21 volumes and is available in print from HCLS branches.

Khaleel has worked at the Miller Branch since 2015, though he’s been back and forth between HCLS and high school, college, an

Slay by Brittney Morris

A slightly pixelated picture of a young Black woman with long natural hair and glasses features the quote, "I am a queen and this is my game."

by Eliana H.

“We meet at dawn.” Characters in the online virtual role-playing game Slay confirm duels with that line. In Slay, author Brittney Morris builds two worlds. She shows us the real-life world of high school senior Kiera Johnson, one of the only Black students at Jefferson Academy. We also get a glimpse inside the world of Slay, a video game that Kiera built from the ground up to celebrate Black cultures from around the world. In the game, Kiera is Emerald, a queen who cares for the tens of thousands of players, who use cards inspired by everything from Louis Armstrong to natural hairstyles to battle virtually. But the game Slay is a secret from everyone in Kiera’s real life, as she is confident that none of her friends or family would really understand and appreciate it. The only person Kiera can talk to about the game is Cicada, a friend she met through the game who is now a moderator, but Cicada and Emerald only exchange messages on Whatsapp and don’t know each other’s real names or locations. 

Kiera is preparing to graduate high school, looking ahead to her life in college and beyond, and planning for her future with her boyfriend, Malcolm. She is doing pretty well handling the stress of keeping her worlds separate, until one day when she sees on the news that a boy in Kansas City was killed in his sleep over a disagreement based in Slay. Kiera is devastated, tortured by the guilt she feels that what she created could lead to such a horrific event. Was it her fault? Adding to her distress is the analysis from pundits discussing whether Slay – which is designed specifically for Black players, and which you need a passcode to join – is racist. Of course, many “experts” declare that anything made for Black people and not explicitly welcoming white people is inherently racist. But all Kiera wanted was a place where others like her, who so often find themselves in a world trying to erase them, could shine as the kings and queens that they are. 

Over the course of the book, readers see snippets of other players’ experiences and journey with Kiera through her struggles to face the hard truth of who is threatening to destroy everything she worked so hard to build. 

Slay is also available from HCLS as an ebook through OverDrive/Libby.

Eliana is a Children’s Instructor and Research Specialist at HCLS Elkridge Branch. She loves reading, even if she’s slow at it, and especially enjoys helping people find books that make them light up. She also loves being outside and spending time with friends and family (when it’s safe).