The Old Kingdom series by Garth Nix

The illustration shows a young man in blue holding a very small bell standing back-to-backwith a young wman in brown with knives drawn. A white cat sneaks along side them.

by Kristen B.

One of my favorite series debuted a long time ago with the publication of Sabriel in 1995, which introduced us to the Old Kingdom and Ancelstierre – a magical world and a vaguely Victorian British country joined by mysterious means across a Wall. Author Garth Nix has written in this world off and on for almost 30 years. It’s not a huge series with a new book available annually, but it includes the first trilogy, a variety of short stories, a sequel, a side story about a secondary character, and now the newest installment of Terciel and Elinor.

Title character Sabriel is a young woman finishing her rather unusual education at Wyverly College, a boarding school in Ancelstierre close to the Wall. Her father is a powerful mage from the Old Kingdom, the Abhorsen – an inherited position responsible for making sure the dead remain dead. Death is presented as a river with many precincts that sweeps souls along to their final rest beyond the Ninth Gate. Unfortunately, in the Old Kingdom, the dead don’t always stay that way and necromancers try to increase their power by manipulating Death. It’s all wonderfully gothic and atmospheric (but not particularly scary) with appeal for teens and adults alike. Abhorsens battle the necromancers and Greater Dead with their magical bells and sword, with each bell sounding a specific command – like walking or sleeping.

Back in Ancelstierre, Sabriel receives a bandolier of bells and a sword and realizes that something has gone very wrong with her father. She travels into the Old Kingdom to discover that Bad Things are afoot. With the help of a lost prince and a talking cat who is much more than he seems, Sabriel must conquer an old nemesis and restore the Kingdom. The next two books move forward a generation, but they continue with fraught necessity the quest to defeat the ultimate evil and save the world. Honestly, what more could you ask for?!

Nix published Terciel and Elinor in 2021, and it tells the story of Sabriel’s parents, of how they met and fell in love. It explains so much of the background for the original series, while still giving us new characters to root for. Elinor is a delight as a neglected but independent daughter with a passion for stagecraft and a willingness to meet whatever comes her way with knives drawn. Terciel matches the orphan vibe with a sketchy background of his own, as he reluctantly accepts his future role as the Abhorsen. A competent ranger and taciturn current Abhorsen provide good counterpoints to the young (rather callow) and energetic main characters. I think this sort of immediate prequel is immensely difficult to do well precisely because we know the ending of the story, nonetheless this was an enjoyable read with high enough stakes to keep me turning pages well into the night.

You can start reading either with the newest book, or read in original publication order beginning with Sabriel, Lirael, and Abhorsen. For a real treat, listen to the audiobooks narrated by actor Tim Curry, whose dark voice perfectly suits a series that features the river of Death.

Kristen B. is a devoted bookworm lucky enough to work as the graphic designer for HCLS. She likes to read, stitch, dance, and watch baseball (but not all at the same time).

Under The Whispering Door by TJ Klune

The illustrated cover shoes a topsy-turvel house in the clearing of a large wood. The shadow of a large stag appears behind the house.

by Sahana C.

Loss is not an easy subject matter. The nuances of grief and grieving, mixed with the general sense of well-what-comes-next is hard to grapple with. And yet somehow, in Under the Whispering Door, TJ Klune has delivered another gentle reminder to readers that the best way to endure, survive, and eventually thrive through hardship is by finding your people, letting them help you and love you, and helping and loving them in return.  

An illustration shows a raggedy spit of land above a blue sea, with a red house with lots of windows at its very edge. Windswept trees and a blue and pink sunset sky frame the house.

Folks who know the author’s work after reading The House in the Cerulean Sea might be surprised, at first, by the level of angst present at the outset of this book. After all, if Cerulean Sea could tout the Antichrist as one of its main characters and still feel light, fluffy, and comforting, surely this novel about dead people can’t be that deep.  

Apparently, it can though.  

Most of that is due to the fact that Wallace Price, the main character, is simply obnoxious and unpleasant at the beginning. He is so unlikable in the very first chapter, so out of touch, that I wasn’t sure I wanted redemption for him. He got what he deserved, dying at the end of the first chapter. This is not a spoiler, the man is dead throughout the book. The main character is, in fact, a ghost-or-something the whole time. A fun time is had by all, except Wallace, when he dies.  

Seeing the other characters humor him and tease him was a relief because he was just so darn unpleasant that I didn’t much care how he’s feeling about being dead. Until, suddenly, I did. Without my knowledge or consent, I suddenly cared about Wallace, and that is precisely the magic that TJ Klune makes. He sneaks these strange characters on readers, makes it very clear that the characters are mostly a menace to society and not very good at being people, and then gently, steadily, these characters are shown how to be good people, how to care about others, how to crave belonging like they never have before.  

There is a tenderness with which Wallace is treated by Hugo, a man who is very important in Wallace’s undeath. Equally important are Mei, the Reaper who comes to collect Wallace’s soul-or-equivalent, Nelson, Hugo’s boisterous and larger than life grandfather, and Apollo, the dog.  

Difficult scenes force readers to confront loss in a very real way, and they are masterfully interspersed with incredible levity. Things like Wallace suddenly remembering he’s dead and sinking through the floor as the rest of the group does nothing to help but laugh are both incredibly funny and also the moments that Wallace is learning the most. The sad parts are to be expected, but as Wallace himself begins to use as a mantra: the real lesson is in unexpecting

This is a character driven novel, of course, because when considering something as deeply personal as loss, one must return to the people that are experiencing the emotion. The way that Klune uses all of the characters to fill in any gaps in Wallace’s story, but also allows them to have their own back stories, personalities, and flaws without detracting from Wallace’s growth, is a delicate balancing act that Klune has down to a science.  

Ryka Aoki, author of Light from Uncommon Stars , described the book beautifully, saying, “There is so much to enjoy in Under the Whispering Door, but what I cherish the most is its compassion for the little things―a touch, a glance, a precious piece of dialogue―healing me, telling me that for all the strangenesses I hold, I am valued, valid―and maybe even worthy of love.” 

This book is about healing and holding yourself accountable. It’s about always having more to learn, but having to be willing to learn it. It does not force, but gently asks a reader to consider, Am I happy? Am I doing what I want, surrounded by the people I love? What do I have to do to get there?  

And most of all, whatever you expect to happen here, wherever you think the story is going to go, unexpect it. Wallace was right. It’ll get you there faster.  

Under the Whispering Door is available in print, eBook, and eAudiobook.  

Sahana is an Instructor and Research Specialist at the Savage Branch. She enjoys adding books to her “want to read” list despite having a mountain of books waiting for her already.

The Solace of Children’s Picture Books on Death and Grieving

A collage of eight books. All Around Us depicts a woman's face, eyes closed, with a rainbow in the background. One Wave at a Time depicts a child with a sad expression on a beach with waves crashing in the background. A Map into the World shows a girl crouching to draw a house on the sidewalk. The Rabbit Listened shows a toddler clutching a toy rabbit. The Tenth Good Thing About Barney depicts a family of four looking out over a lake in the sunshine. Cry, Heart, But Never Break depicts the figure of Death having tea with a child who appears to be asking a question or imploring, with her hand on his arm. The Goodbye Book shows a fish in a bowl with a sad expression, and a picture of another fish, presumably a deceased friend, in a thought bubble over its head. Something Very Sad Happened shows a mother and child walking in the woods, with leaves falling all around. The child is clutching a robot toy.

by Emily T.

Sometimes there are just no words.  

For families talking with children about death and grieving, the words we want can be especially hard to find. But we are not alone. Heartfelt picture books are one of my favorite sources of solace. In aiming to speak clearly to children, the best ones are both simple and profound. They can help us open doors to deeply meaningful conversations. When we invite a child to read these stories together, we offer a special comfort.  

Fred Rogers described it this way:  

“Anything that’s human is mentionable, and anything that is mentionable can be more manageable. When we can talk about our feelings, they become less overwhelming, less upsetting, and less scary. The people we trust with that important talk can help us know that we are not alone.” 

Maybe a child is grieving the death of a pet, friend, or family member. Maybe they are struggling to understand the tragedy of the current pandemic. Even if death is not on the doorstep right now, the following books can help a child understand what death means, the emotions that can come with it, and how they can process it all with someone they trust.  

Read through these books before inviting your child to share them. See how they suit you and if they are appropriate for your child’s age and experience. Don’t be afraid to change up the stories to personalize them to your child’s circumstances. Or, simply look through the pictures while your child tells a story or talks about their own experience. Sometimes a child just needs someone to listen. 

Something Very Sad Happened: A Toddler’s Guide to Understanding Death by Bonnie Zucker 

Simple, direct language tells this story for the littlest ones. Notes to parents and caregivers are included to help guide the reading. (Ages 2-4) 

The Rabbit Listened by Cori Doerrfeld 

A tumbled tower of blocks represents loss in this sweet story of a grieving child searching for comfort. (Ages 3+) 

The Goodbye Book by Todd Parr  

A grieving goldfish demonstrates the various physical and emotional ways we might process the death of someone special to us. (Ages 3+) 

One Wave at a Time: A Story About Grief and Healing by Holly Thompson 

Poignant and beautiful, a young boy describes the waves of many different feelings he experiences after his father dies. (Ages 4+) 

The book cover depicts a grandfather and grandchild holding hands and walking outdoors in a colorful scene, with a tiger, peacock, kite, and assorted flowers in yellow, blue, and orange tones.

Grandpa’s Stories by Joseph Coelho 

When her beloved grandfather dies, a young girl’s cherished memories of all their seasons together help her grieve and honor their forever bond. (Ages 4+) 

A Map Into the World by Kao Kalia Yang  

When a child wishes to comfort a grieving neighbor, her own grieving process comes to include creative and supportive expressions of condolences and connection. (Ages 5+) 

All Around Us by Xelena González  

A young girl and her grandfather honor the many circles of life they see, placing birth and death in a bigger picture of nature’s cycles and family traditions. (Ages 5+) 

The Tenth Good Thing About Barney by Judith Viorst 

Through a backyard funeral ceremony for his cat, a young boy finds comfort in memories and the circle of life. Questions of the afterlife are raised and left open. (Ages 5+) 

Cry, Heart, But Never Break by Glenn Ringtved 

Death itself takes the personified form of a compassionate cloaked visitor in this gentle story of four siblings coming to terms with their grandmother’s imminent death. (Ages 5+) 

For further support for your child, please be sure to reach out to your child’s physician, school, religious or spiritual community, or a mental health professional.  

Additional resources 

Sesame Street in Communities | Helping Kids Grieve

The Dougy Center: The National Grief Center for Children & Families 

National Alliance for Grieving Children (NAGC) – GriefTalk Resource Guides (Birth – High School) 

Actividades del NAGC – Respondiendo al Cambio & Pérdida (Español) 

Emily is a Children’s Instructor and Research Specialist at HCLS Elkridge Branch. She enjoys reading, knitting, and sunshine on her shoulders.

Dancing at the Pity Party: A Dead Mom Graphic Memoir by Tyler Feder

The book cover depicts an illustration of a woman in pink sweater and blue jeans dancing with the translucent, ghostly image of her mother, who is represented by a gravestone at their feet which reads "Mom, 1961-2009."

by Carmen J.

I hate to state the obvious, but an unfortunate fact of life is that we will gradually lose the ones we love. In this year alone, I’ve had the reality check of all reality checks as I said goodbye to my sister-in-law, my daughter’s great grandmother, my best friend from high school’s parents, my best friend from my first job out of college, a former colleague (RIP Joe McHugh), and two icons: Kobe Bryant and Chadwick Boseman. Yes, 2020, I’m going to have to ask you to leave, please?

In Dancing at the Pity Party: A Dead Mom Graphic Memoir, the author writes about her experience losing her mother when she was 19 and dealing with the 10-year aftermath of grief. The writing and illustrations are insightful, poignant, and humorous at the same time. The author’s mother died of cancer and the author vividly describes the myriad of emotions caregivers endure, so readers can connect to her story on many levels.

Like the author, I lost both my father and sister to cancer, and I found myself nodding in heartfelt agreement at many of Feder’s descriptions of losing a parent and enduring the magnified heartache of cancer. In particular, she captured the reality of the endless trips to the hospital for treatments and cancer’s physical and emotional tolls on the ill and their families.

As a reader, I connected with Feder’s reflections on how death can be so difficult to talk about for some. No one really knows the exact right thing to say when you hear that someone has died. It’s awkward and uncomfortable and unexpected, much like death itself. I laughed at the author’s inflections of humor and her ability to find humor even in her darkest days.

I’m lucky I still have a living mother. As we celebrated her 80th birthday this year, my thoughts trickled to the thought of what life may look like some day without her. I hate that image. As Feder highlights in the book, I, too, consider my mom to be a rock star and an undeniable force in my life. More time is always what we want with those we love and, selfishly, it’s never enough.

Put this book in the hands of someone who is hurting from recent loss, has someone succumbing to illness, or anyone in need of finding the right words of comfort.

Carmen J is a teen instructor at HCLS East Columbia. Among her favorite things are great books, all things 80s, fall weather, Halloween, and pumpkin spice everything.