All the Beauty in the World: The Metropolitan Museum of Art and Me by Patrick Bringley

At the top of a grand staircase, surrounded by columns and arches, a man in blue suite stands in front of a large, classical painting.

by Kristen B.

As a native to central Maryland, I grew up regularly visiting some of the best museums in the country. My parents would herd us onto the Metro, and we would spend long days at the various Smithsonian Institution buildings – American History, Natural History, the Zoo – along with the National Gallery of Art. Everything was free and fascinating. To this day, I love to spend time in a museum. So, when I heard about All the Beauty in the World: The Metropolitan Museum of Art and Me, read by the author, it seemed like a good choice for an audiobook for my commute. I was right about that!

Patrick Bringley turned a similar childhood love of museums into a job during a particularly stressful period of his life. When, as a young man just out of college and working for The New Yorker, Patrick got the news that his beloved older brother was diagnosed with an aggressive form of cancer, he re-evaluated many of his choices. To be able to spend as much time as possible taking care of Tom, Patrick found a less demanding job as a security guard at The Metropolitan Museum of Art.

This memoir illustrates ten years of Patrick’s life, in which he grieves his brother, falls in love, works in close proximity to some of the world’s most famous fine art, and moves from being a novice to a veteran at the museum. It’s a loving look at family, and a fascinating, up close view of what it’s like to spend 8-10 hours of every working day on your feet among both ancient and contemporary art. He details some of his favorite pieces, including Fra Angelico’s Crucifixion and Peter Bruegel’s The Harvesters, and he spends the better part of one chapter mesmerized by quilts and their makers. Bringley recounts camaraderie with his cohort along with amusing interactions with visitors, including the tourist parents who are looking for the dinosaurs (oops, wrong museum … will mummies do?).

This slim, beautifully written volume presents an interesting cross-section of Bringley’s life, one that reminded me of why great works of art exist – to help people of all generations and historical eras express faith, love, grief, and the human condition. The most lovely part of this book seems to be the author himself, who embodies a sort of Midwestern niceness and willingness to take the world at face value. He approaches and interacts with the art surrounding him from a genuine humility of spirit, looking for the author’s intent and the common human truths to be found. I don’t read a lot of nonfiction, but I do enjoy the occasional memoir. This was one of the best, told in a self-deprecating style that focused on the wonders (personal and creative) around the author as much as on the author himself.

The title is available in print, e-book, e-audiobook, and audiobook on CD.

Kristen B. is a devoted bookworm lucky enough to work as the graphic designer for HCLS. She likes to read, stitch, dance, and watch baseball in season (but not all at the same time).

At the Intersection of Art and History

he Old Oak, Jules Dupré (French, 1811-1889) (Artist), 1845-1850, oil on fabric, Acquired by William T. Walters, 1883

by Rohini G.
With the objective of making art more accessible and engaging to every person in our community, we have built an extensive network with national art museums to bring art education and appreciation into our homes through the virtual Art Museum Series. If you are interested in bringing actual art into your home, you can borrow framed painting and photography prints from the Art Education Collection, available at Central and Glenwood Branches.

Renaissance and Baroque Portraits
For adults. Register for link to class.
Wed, Sep 20 | 1 – 2 pm
online

Art and history are often intertwined, as paintings can reflect the cultural, social, and political contexts of their time. Two examples of such paintings are the Portrait of Maria Salviati de’ Medici and Giulia de’ Medici by Pontormo and Balthazar by Rigaud.

The de’Medici portrait, painted around 1539, depicts Maria Salviati, the widow of Giovanni delle Bande Nere de’ Medici and the mother of Cosimo I, the grand duke of Tuscany, and Giulia de’ Medici, a relative of Maria who was left in her care after the murder of her father, Duke Alessandro de’ Medici. Alessandro was the child of a Medici cardinal and an enslaved African servant, making Giulia one of the first people of African ancestry in European art.

Next, we examine Balthazar, painted around 1700, who is identified as the youngest of the three kings who followed a new star to Bethlehem in Judea to pay homage to the divine child born under it. The kings are usually depicted as very grave but this Balthazar looks right at us with an open, friendly demeanor. This is most likely not simply one of three paintings of the kings as semi-historical figures but rather a portrait of a specific man who wished to be depicted as the magnificent figure of Balthazar.

Both these paintings are currently hang at The Walters Art Museum in Baltimore and demonstrate how art can capture not only the appearance but also the identity and history of its subjects. They also show how art can communicate across time and space, revealing stories and perspectives that might otherwise be forgotten or overlooked.

19th Century Landscapes
For adult. Register for link to class.
Wed, Oct 25 | 1 – 2 pm
online
Moving to the 19th century, we study landscapes and look at how artists used landscape painting to both reflect and shape environmental understanding. The Old Oak by Jules Dupré(1845-1850, and The Terrace at Saint-Germain, Spring (1875) by Alfred Sisley belong to the Barbizon school of landscape painting in France. Members came from different backgrounds and worked in a range of styles but they were drawn together by their passion for painting en plein air and their desire to elevate landscape painting.

image credits:

The Old Oak, Jules Dupré (French, 1811-1889) (Artist), 1845-1850, oil on fabric, Acquired by William T. Walters, 1883

Rohini is the Adult Curriculum Specialist with HCLS. She loves literature and rainy days.