
by Angie E.
I like Joe Hill’s fiction, no matter which selection it is. I am particularly drawn to and sometimes revisit his amazing anthology 20th Century Ghosts. The collection comprises 15 short stories, each with its own unique theme and style. Joe Hill’s versatility shines through as he explores various aspects of horror, from traditional ghost stories to psychological thrillers. The stories are infused with elements of fantasy, science fiction, and dark humor, creating a diverse and engaging reading experience.
The opening story, “Best New Horror,” sets the tone for the entire collection. It tells the tale of a jaded horror fiction editor who stumbles upon a manuscript that takes him on a horrifying journey into a world he could never have imagined. Hill’s use of meta-fiction in this story adds layers of complexity to the narrative, leaving readers with much to ponder.
Joe Hill’s ability to create compelling characters makes his fiction unforgettable. Whether it’s a young boy who can transform into a living comic book character in “Pop Art” or the ghost of a movie projectionist in “The Projectionist,” his characters have a depth and humanity that gives the supernatural elements all the more a stirring and relatable feel. Hill’s skill in creating atmospheric settings also permeates the collection. Whether it’s a creepy movie theater, a haunted tunnel, or a sinister roadside attraction, the locations in these stories are as much a part of the narrative as the characters themselves. The sense of place adds to the overall immersion and tension in each tale.
While horror is its primary genre, 20th Century Ghosts doesn’t rely solely on scares. Many of the stories delve into deeper emotional territory, exploring themes of love, loss, and the complexities of human relationships. “Better Than Home” and “Voluntary Committal” are poignant examples of Hill’s ability to tug at the heartstrings. Joe Hill’s imaginative storytelling is a defining feature of this collection. He doesn’t rely on clichés or tired horror tropes; instead, he constantly surprises the reader with fresh ideas and innovative twists. “My Father’s Mask” and “The Black Phone” are prime examples of his originality and the ability to keep readers on the edge of their seats.
The titular story, “20th Century Ghosts,” is a beautiful and melancholic piece that serves as a fitting conclusion to the collection. It explores the idea that we are all haunted by the past in one way or another, and Hill’s prose resonates long after the final page is turned.
Angie is an Instructor & Research Specialist at Central Branch and is a co-facilitator for Reads of Acceptance, HCLS’ first LGBTQ-focused book club. Her ideal day is reading in her cozy armchair, with her cat Henry next to her.

